Hip-Hop / Rap
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Classics/oldies first:
- “White Lines” by Grandmaster Flash:
–screen shows sparkles to match opening sound fx
–Auz lead vocals
–opening: dancers do moves in short bursts, pausing between each group of beats
–more and more ICV singers join in for that “ah, ah, ahhh” after-opening
–“Bass!”, stage light overhead illuminates the ICV on bass guitar
–Since we are against drugs, the screen during each “white lines” lyric shows sexy girls snorting lines of cum.
–“blow away”, screen shows sexy girls giving expert blowjobs, their heads bobbing to the beat of this song
–positive version of the lyrics; instead of singing about the obvious
–maybe end shows a few clips of Auz as a dealer in the Outlands during the phase1 hell/shit-years, then his modern self doing the finger-motion side-to-side for “no”/”no more”
–“blow! … rockin’!”, screen shows more sexy girls giving blowjobs, then riding cock - “Blow-job Betty” by Too Short:
–obviously, screen shows all my favorite BJ porns, all sync’ed to the beat during instrumentals
–shows Auz acting out all the lyrics, line by line, such as chatting her up, going to her house, the girls hurrying from dick to dick, etc.
–probably change “was dumb” to a positive lyric - “Regulators” by Warren G:
–“any stealin’ of this property”, screen shows humans and their stuff being confiscated by deployed ICVs, etc.
–shows picking up chicks during/between black-ops
–clips of when idiot Outlanders tried to threaten/intimidate Auz, then their lives getting royally fucked up by merciless karma/whatever
–“they got guns to my head, I think I’m goin’ down, I can’t believe this happenin’ in my hometown”, shows the corrupt cops surrounding him, always abusing their power, etc.
–stage-lights color-scheme is cool-colors all at medium to dim/soothing brightness; green, blue, purple, all in pastels, their light-cone motions slow between beats, holding steady for a half-second or so on each beat
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New stuff next/last:
DJ Snake – RAP
- “Turn Down for What”:
–with BREAKDANCING NAKED ICVs head-top-spinning
–Auz vocals
–progression of impressive head-spinning at/near start, to more and more-complex breakdancing moves
–ICVs between showing off their moves… stand back and do booty/crunk moves in a semi-circle around the featured dancer/s
–during each slow buildup sfx: lights slowly brighten and throb-brighter to the beat, while the dancer/s slowly increase their moves’ speed and complexity
–gun-loading sfx: same hand-sign dance-move, and eventually Auz taking hold of an ICV’s hips while she stand bold-legged, bent over, moving her ass side to side, grinding back against his crotch as he penetrates her to the beat/sfx
–final third of song: the unique sfx… paired not with moving fake tits of a glutton (like in the disgusting music video), but just Auz motorboating normal sexy tits on the naked ICVs, with a zoom-in of that enlarged across the entire over-stage screen - “Encore”:
–instrumental opening has stage lights overhead flickering in the dim orange glow setting, brighter and brighter with each successive note, lighting up the whole band over and over like that, same color scheme as in that nuke-center-float-down ‘dream’, until they are kept lit normally, more colors such as yellow and white added
–duet sung by Auz & Nyria, starting with Auz voice-sfx, then Nyria talk-singing, then both at same time
–maybe replace “drives you insane” with a positive lyric - “Middle”:
–Auz vocals
–change “coffee” lyric; tea or something
–“I hope that I can turn back the time to make it all alright, all alright for us”, shows Auz discovering time travel –and how easy it is (probably only falsely advertised as difficult and risky to trick people into not making good use of it until they had much more time to crystalize who they are and what their goals are)
–“I promise to build a new world for us two, with you in the middle”, shows Auz ‘at the drawing board’, working purposefully on the Inisfree design, then SSA worlds, then Ideal World, etc.
–“you in the middle” near end, screen shows Agharta, Aryana, etc. - “You Know You Like It”:
–sung by Nyria with a Croft ponytail doing rich skinny elven dancer head-cant ponytail-swish strut moves while holding the mic
–digital/electronic hand-drums is first instrument
–keyboard rapid-noise sfx
–“I don’t take things as they comeIf they bring me down”
–“life can be cruel, if you’re a dreamer”
–“I just want to have some fun, don’t tell me what could be done”
–“you know you like it, but it drives you insane”
–“You know you like it but you’re scared of the shameWhat you want, what you gonna do?”, shows Outlanders new to all that can/should be done, still nervous from their childhoods of brainwashing, being abused, etc.
–“You know you like it but it drives you insaneFollow me cause you know that you wanna feel the same”, shows Outlanders starting to dare to trust Auz and the ICVs, following them, finding they feel better and better, …until finally they let loose and start joining the dance/s/ers
–“If you wanna train me like an animal”, shows girls accepting slave-collar, leash, kajira instructions directing them into the basic slave positions/poses/stances/entrances
more TBA
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