Slow/Moving (Jacqueline “Dreamy” sometimes joins us to help sing these)
–
Screen shows slow-grinding sex clips during many of the songs, except for during the first song
- “The Last Remaining Light” by Audioslave:
–each set of notes in the intro/opening is paired with one overhead stage-light turning on while rotating down from toward the crowd… to over one of the band members, one after the other, until Auz starts lead vocals, at which point all those lights turn on and do that, but staying aimed down on the whole band during that first verse
–“and pray for the raaaaaaaaaaiiin”, screen slowly fades on, showing close-up of rain falling somewhere –Sotu?
–“down your throat, inside your …”
–“through your spine”, screen starts showing tantric partners yoga/sex techniques, slow-mo of course - “Dreams So Real” by Metric:
–opening sfx paired with screen showing vibrating pink CGI grid
–ICV on lead vocals, or a duet of simultaneously-singing ICVs in perfect harmony
–screen shows clips/highlights Auz’s good/favorite dreams
–“I’ll shut up and carry on, the scream becomes a yawn”, shows clips of Auz having nervous breakdowns, then having no choice but to get back to work on the Inisfree consciousness-focus - “Help, I’m Alive” by Metric:
–Stormy with Anastasia and Kim - “Twilight Galaxy” by Metric:
–Stormy with Anastasia and Kim
–“when affection is what I need”
–“go lower than deep” - “Otherside” by Red Hot Chili Peppers:
–Auz lead vocals, hair down straight like Anthony Kiedis - “Why You’re So Very Far Away” by Clem Leek:
–entirely instrumental, screen shows all the alone meals and deep thinking, spacing out, etc. of Auz during phase2 as he struggled to make peace with that transition/blossoming/crystallization interval/process - “French Montana” by Unforgettable ft. Swae Lee:
–ICV vocals muffled start, Auz does the words right after that, African bold-stance rotating dance-move of all ICVs around the 2 singers - “Let It Go” by James Bay:
–bittersweet acoustic sung by Vanessa ICV
–instrumental opening, then Auz bittersweet vocals, “you be you, and I’ll be me” shows the many times Auz tried to convince the incompatible rude evil Outlanders to make peace and give space and see reason, “slammin’ doors” - “The Listening” by Lights:
–sung by Xenia and Graciella duet/harmonizing, looking right at, and singing to, each other, with their eyes’ irises changing colors each time they change notes
–shows all the hotties who for whatever reason/s failed to introduce themselves during phase2
–“I never really ever know what to say
When all of my emotions get in the way
I’m just trying to get us on the same page
“I always get it better right afterward
When all the wrong impressions are said and heard
How come I can never get the right words, I need to convey
Wish I could explain the things that I have to work out - “Say It Aint So” by Weezer:
–duet is now Auz and Amber ICV1
–Auz lead vocals, ICVs on backups, chg “Jesus” lyric obv. (chg to “found Auzdein“)
–This song may be about the original writer’s/singer’s suspicion that alcohol was to blame for his parents divorcing, he then worrying it would also end the new marriage of his mother to his stepfather, thus it fits well with the title/theme of this concert; take it (more) slowly so stuff doesn’t get out of hand like that; don’t rush in Or out of relationships.
–