This is the 2021 Thanksgiving country-music concert Auz put together.
–
The Show:
Country concert at our saloon atop the mobile/concerts-firetruck:
- “Round Here” by Florida Georgia Line
- “Homegrown” by the Zac Brown Band
- “Sparks Fly” by Taylor Swift -sung by Amber ICV1 in her see-through sundress, no panties or shoes
- “Down to One” by Luke Bryan
- “Honky Tonk Blues” by Huey Lewis & the News
- “Rag Doll” by Aerosmith
- “God Gave Me You” by Dave Barnes, showing clips of all Auz’s wives beaming as they cutely hurry up to kiss and spin-hug him in the sunlight of the different places in Inisfree and beyond where he meets them for polyamory family time, then closeups of them holding hands as they drive their convertibles on the G.A.H. in the sunlight and warm breeze
–
“Round Here” – the lyrics are perfect for this part of the performance:
ICVs roleplay building the city’s barn, then bringing in the harvest, working it into ingredients, mixing those ingredients into recipes, and finally setting the table for a Thanksgiving feast, opening drinks and passing them around, others of their kind hugging and kissing people hello as they walk up (and some -Angels- flying down/over) to join in.
–
“Homegrown”
show clips of the Modern American and Wylie neighborhoods, garages open, our beautiful female residents in their see-through sundresses knowingly grinning and smiling at people checking them out as they pass by, crops growing in their yard gardens and balcony railing troughs
–
“Sparks Fly”
Our Rachael ICV sings this one, wearing her hair down, see-through sundress, cowgirl boots only reaching a third of the way up over her lower legs. Auz walks up and touches her during the lyrics she sings about that. Rain starts falling on them from overhead sprinklers, and they keep singing and playing their instruments during/in it. Small white sizzler fireworks go off during the “sparks fly” song-namesake lyrics. She lowers her hand holding the mic at the end, letting Auz hold her cheeks and kiss her on the mouth as the rain stops and fireworks slowly stop going off.
–
For “Down to One”, Auz drove his jacked-up Jeep Wrangler out on the stage, his sister, Freyja, playing the role of the girlfriend in the music video they were covering.
–
“Honky Tonk Blues”
A group of ICVs joins the ones on stage, square dancing to this quick and catchy beat while the band ICVs are free to stand still and play. Nyria handles the piano-solo part/s. Amber ICV1 lovingly grins as she stays close to Auz, dancing up against him and looking over her shoulder at him, playful and fun-loving as ever, really enjoying performing this with him this way.
–
“Rag Doll”
“This one is one of our High Queen’s favorites!”
All the VRII ICVs put their hair up in sexy long side-pigtails (instead of pigtails starting at the bottom sides of/at the back of the skull/scalp).
Josie and Meagan play the electric guitars. Kim does the drums. Charlize and Inna handle the horns. The other VRII ICVs bold-legged rotate-show their apexes to the crowd, bent over toward the band on stage, the backs of their legs toward the whole audience. Amber ICV1 walks/struts to the beat in front of each one, stopping to rub the backs of her thighs and point to her asshole and pussy slit shown off to everyone, looking out to the crowd to mouth out the words, “Ohhhhh YEAH!!” with a big horny smile and color-flashing ICV-eyes.
–
“God Gave Me You”
“This one goes out to every single one of you! I love you!” Auz says into his mic, and the crowd roars with cheering and clapping, thanking him, telling him they love him, too.
He looks to his right side, and sings to Nyria, as she looks right at his eyes, then starts walking up to him, puts her arm around his back, and stands with him as he then looks to his left and sings to Amber ICV1 as she looks right at his eyes and walks up the same way on his other side, putting her arm around his back and right along her beloved sister, Nyria’s. This continues, left to another ICV until she joins in with her arm around Nyria’s back, then right to another ICV as that next one joins with her arm around Amber ICV1’s back… until the whole VRII band is up there like that, standing in a line, holding their mic’s, singing to each other, then looking out at everyone and singing to the whole audience, each and every member, making eye contact with them all.
The whole time that is going on, the big projector screen behind and above the band on stage shows one sequence of images on its left half, and another sequence of images on its right half, both of which are large and high-resolution enough that everyone in the crowd can easily clearly see them all;
- left side/half, timed to the quicker guitar strumming: starts with a windy day during the arrival and staging at Mt. Kirkpatrick before Inisfree had been built, then clips of Nyria and then 1 batch of 50 ICVs of each form-sake are shown being ‘born’ in 1 of the ICV Factories during 2011. During this 232-second song, that allows ~.232 of a second for the quick clip showing each batch coming to life. At the end of the song, it also shows a collage of the hundreds of people featured on this website’s Main Character Groups webpage; the first to make a big positive impact on Inisfree and Auz’s life are shown as one big family, each image in this collage being a clip itself, all showing them cutely hurrying up to Auz and others to spin-hug at the airport or Welcoming Square.
- right side/half, timed to the less-frequent tapping after each few guitar notes: starts with Auz looking weary and ragged after first reaching their destined mountain, then the first batch taking that first step down off their pedestals in that facility where they came online/’to life’, their synchronized first step timed so that the soles of their feet meet the facility’s floor when this song’s first tap-sound occurs, and each following image timed to match the following tap-sounds, those images showing a montage of the different ICV batches going through the underground training there, then helping mine and build the first infrastructure of the city, standing near/around him and watching to learn how to cook things the way he likes, deploying to complete The Rapture, going with newcomers into the classrooms of the first 10 (and underground) levels of LHS, becoming Batchlings as they reach the surface, taking classes at the LAA, coming back from their 13th (“exodus”) school-year, getting ready for bed and snuggling overnight with King Auz, etc.
Near the end of this song, many of Auz’s wives, if here for this part of the show, are invited, helped, and welcomed up on stage, to join in the biggest group-hug to-date.
–
All together, those songs and the lulls between them… = 30 minutes. Half an hour is the right amount of time for this show, as it gets everyone dancing/moving just enough to whet their appetites without wearing them out. This will help everyone feel ready to sit down together to eat while traditional Thanksgiving instrumental pieces and other festive tunes are played by VRII while the feasting commences.
…
At the end of this show, everyone sat down to a huge Thanksgiving feast at the picnic tables outside the saloon, naked kajirae and Inisfreean girls serving everyone from what they’d been preparing at the bar’s kitchen inside.
–