This is one of High King Auz‘s favorite concerts to perform; he dresses up in full metal-goth garb and face-paint, grips the mic in both hands, and lets his face and voice go wild, reminding the whole realm exactly why one of his first nicknames was Hell-scream.
What boiled his blood in the pre-Shift and near-Shift times no longer has to be controlled and kept in check; he can let it all out for these stage hours, raging to the delight of the entire audience –and himself.
The show starts with a pitch-black stage… and then a giant dimly-glowing fiery-red pentagram begins to appear on the back curtain. Lit from below by equally-eerie blood-red lights, the band-members are lit from back to front and side to side, starting with the drummer, …then the bassist, …then the supporting vocalists, …then the keyboardist, …then the guitarist, …and finally the lead singer, High King Auz. They start with the mildest metal songs… and build into intermediate-intensity ones, followed by an ‘intermission’ of classics from Metallica and Iron Maiden, and finally tear the proverbial heads off with the most intense metal of all; for the grand finale of this concert.
It isn’t just the light fixtures all around the stage that are programmed and sync’ed up; it is the fire spouts, and the background images, and even the color-changing light-like irises of the Inisfreean (ICV) band-member eyes.
–
Heavy Metal; Dimmu, etc. (for Dimmu, see the video at the bottom of this page)
- “Separation” by One Without (female vocals): Auz on an electric guitar, ICV singing –she naked, of course
–ICV hair and eye-irises colors change like the overhead stage lights; to the beat/songs, etc.
–in this song, lead singer hair colors: warm, and shifting/changing to look like fire/flames
–backup vocals / BG growl-screams by Auz paired with another ICV (for that otherworldly duel-voice sfx) - “Hello” by Adele (metal cover by Leo Moracchioli): better vocal signature
–lead vocals by Auz
–BG vocals by an ICV
–song needs a LOT of work. ugh. great concept, though - “Twilight of the Thunder God” by Amon Amarth: SO MUCH FUN TO HAIR-SPIN TO!
–and we have a line of 20 ICVs synchronized hair-spinning THE ENTIRE SONG, changing their hair colors in sync’, too! (storm/cool colors, to look like the wind and turbulent seas)
–Auz growl-screams first vocals during rapid electric guitar with rapid drums intro
–and then more join them, forming a pentagram of them around our band, still synchronized hair-spinning and color-changing, and then they stop and look up, showing their eyes flashing blue-white when “Thunder God” lyric is said!)
–*and during the turbo guitar solo, the ICV playing the electric guitar slides out on the stage on her shins, then plays it while lifting the guitar over her head and setting it down behind it on her shoulders, just like Raz used to!
–“Thor, Odin-son, protector of mankind” means “manliness is what protects the good part of humans/humanity
(and when in the Ragnarok legend/warning… Thor is canceled out by the world-serpent, that means “don’t let anything, such as the evil way of the masses, ruin/end manhood/manliness” –which is exactly the insanely foolish thing all those panicking whiny system-lapdog betas did to themselves and tried to do to me, but I defeated them, thus in My lifetime… Thor/manhood deFeated the “world-serpent”)
–during the metal-weapons clashing/fight sfx part at the start of the last 1/4 of this song, overhead screen shows medieval training like SCA in Inisfree - “We Will Rise” by Arch Enemy: muffled chanting loudening at start, paired with dim overhead lights turning on and off, a little brighter over each band member every time they turn back on, matching the increasing chanting noises
–electric guitars and slam-drums start after that; instruments intro part
–Auz growl-vocals
–first “we will rise” paired with one of the band members hovering up over the stage while still playing instrument
(and repeat that with each successive “we will rise”, 1 more band member per; 1 at first, then 2, then 3, eventually whole band rising simultaneously)
–purple, red, orange, yellow hair-colors for the ICVs –after their hair starts as black and gray to go with the dim start lights - “Swamped” by Lacuna Coil: ICV lead vocals
–Auz on electric guitar beside her
–overhead lights stay soothing deep red and orange during soft smooth part after intro
–male voice after that is Auz, just with better vocal signature than in original song
–kajira on her shins, sucking Auz’s cock casually, her back to the audience, while he plays/sings - “Sun Doesn’t Shine” by Mushroomhead:
–“Before we play this next song, I’d like to thank the Recon Marine who introduced me to it, Dallas MacNamara.” He turned out to be a crybaby asshole retard, but he at least got a little RP and music right.
–Auz on lead vocals
–backup vocals (originally by another male in the band that made the original song) by an ICV
–“Sun doesn’t rise”, screen shows twilight and midnight city views
–“watch my world evolve”, montage of all Auz witnessed humans doing during his youth and adolescence - “Black” by Sevendust:
–Jacqueline joins Auz to help him duet this one!
–electric guitar start, then cymbals, then drums and another guitar join
–Auz vocals
–sometime around the middle of this song, an ICV joins in to do a duet, singing same words at same time as Auz,
then a 3rd ICV for the final verse, those 2 ICVs at Auz’s side, leaning toward his mic to sing into it with him while all of them keep playing their instruments, the lights overhead showing warm colors to go with the strain lyrics theme/words - “Hold the Heathen Hammer High” by Týr (modified to sound better):
–“First, I’d like to thank Sean Maloney for introducing me to this song the first time I relocated to Montana, having chosen to become a fugitive instead of paying corrupt cops back in Texas. I had alone rejected their false and unmanly system, and their heartless extortion scam against me, and traveled to the far north to be free.”
–MOST SYNCHRONIZED HAIR-SPINNING OF ALL
–“heathen heart, pagan pride”, screen shows heart-art; a heart with the Celtic weave, etc.
–“tribal times, northern lights”, screen shows all-White tribes, villages, activities, etc., some in daylight, then all night photos/clips during bright colorful auroras
–“runic rights”, shows the entire Futhark, being drawn in dirt, then carved into stones/monoliths, then huge geoglyphs, etc.
–“I was told, hold the heathen hammer high”, shows “the sign of Thor” made over a dining table, then war-hammers being raised up during a group war-cry / festival
–“with a battle cry”, shows war-paint male faces war-yelling/-screaming wildly before running into battle
–“never turn away”, shows wall/line of warrior males standing sternly, facing Europe’s shore from their dragon-head ship, then zooms out to show more and more of those ships with all their own warriors on-line doing/looking the same way
–“forefathers”, shows Odin, Thor, etc.; Asgardian and Angel/Maiar ancestors aglow; bioluminescent - “When Worlds Collide” by Powerman 5000:
but it’s now a duet between Auz and Nyria,
and clips on the big screen behind them… of Inisfree’s Star Fleet ships finding wars going on between worlds,
and using the Cloud City II Observatory to look into the past, seeing actual world collisions in the silent Abyss - “02 My Sweet Shadow” by In Flames:
one of the best instrumental intros; so smooth and stirring!
–before start: “I first jammed out to this in my barracks between Iraq war deployments. I fell in love with it from first listen!”
–Auz smooth-gravely speak-sings after intro
“I’m selling heavenly sketches”, screen shows many of my first drawings, some of which Marines in training wanted to jack off to; my ability to make perfect beautiful females was profound even long before I had the idea to make ICVs and Inisfree
–sudden pickup
“Tamed with confidence of brighter futureI found a flame in the burnt out ashes”, shows me losing any hope of working with the bad humans, and turning to my art/vision, adding new drawings, doing pushups while meditating staring at them splayed out on my empty-apartment carpeted floor/s
–VERY fun for me to scream-sing to in the middle
“Fueled, these new shores burn”
–screen shows many different flames/fires –including flamethrower-ing bad humans, starting nuclear hell-storms, orbital bombardments, lasers melting tanks and burrowing through earth into bunkers, vaporizing the humans down in them, etc.
“In circles I catchA torch carried by the immortal”
–“my sweet shadow” - “18 Hateful Design” by Graveworm: BEST GROWL-SINGING
–electric guitar intro
–Auz growl-sings, fully goth-ed out (face-paint like KISS), almost war-squatting like Hawaiians do, but while double-handing mic
–backup vocals by an ICV
–screen shows Auz on deployments; roadside bombs going off, firefights, airstrikes, the bases getting attacked/mortared, etc.,
then black-ops in the failed USA after the war; the secret war, the deployment-like homeless conditions back at “home”
–
Metallica tribute: open with: “Tonight we honor the first ever human band to play a concert on this continent –that we know of!”
(Auz lead vocals all of these)
- “Don’t Tread on Me”: screen shows (over the course of this song) the Gadsden snake flag waving,
then Auz standing up for himself against the abusive fake relatives,
then drafting a counter’ to the corrupt CPS ambush,
then starting to learn paramilitary stuff and martial arts,
then military in the Corps,
then standing up against the bad Marines in his units,
then PMC stuff,
then encountering the corrupt idiot feds
–Auz lead vocals - “Enter Sandman” – RE-DL (my copy is choppy):
–ICV hair colors: black, yellow - “Fade to Black”:
— - “For Whom the Bell Tolls”:
— - “Fuel”: screen shows the street races Auz went to
–ICV hair colors: yellow, orange, tan
–“churning my direction” sounds like “erection”; modify for a standard/classic Inisfreean-language innuendo/twist?
–“take the corner, join the crash”
–“White-knuckle tight” - “My Friend of Misery”:
- “Nothing Else Matters” (SLOW, NOT metal):
–overhead lights are dim/pale white/gray during sad-sound intro
–“So close, no matter how farCouldn’t be much more from the heartForever trusting who we areAnd nothing else matters”, screen shows Auz limited (in so many awful apartments and other places) to art of Ambi… until she started showing up in the flesh
–“Never opened myself this wayLife is ours, we live it our wayAll these words, I don’t just sayAnd nothing else matters”
–“Trust I seek and I find in youEvery day for us something newOpen mind for a different viewAnd nothing else matters”
–“Never cared for what they doNever cared for what they knowBut I know”
–“So close, no matter how farIt couldn’t be much more from the heartForever trusting who we areAnd nothing else matters”
–repeat of those verses; intensify how? ___ - Holier than Thou”:
–sudden start with drums and electric guitar/s loud and hard
–“No more, the crap rolls out your mouth againHaven’t changed, your brain is still gelatinLittle whispers circle around your headWhy don’t you worry about yourself instead?”, screen shows all the gossiping brainwashed scum Auz had to deal with when he was growing up and then when he was volunteering, plus the feds who showed up, showing how idiotic they all were/are
–“Who are you? Where ya been? Where ya from?Gossip burning on the tip of your tongueYou lie so much, you believe yourselfJudge not, lest ye be judged yourself”
–“Holier than thouYou areHolier than thouYou areYou know not”
–“Before you judge me, take a look at youCan’t you find something better to do?Point the finger, slow to understandArrogance and ignorance go hand in hand”
–“It’s not who you are, it’s who you knowOthers’ lives are the basis of your ownBurn your bridges and build them back with wealthJudge not, lest ye be judged yourself”, screen shows rich people hooking up their idiot friends, ruining their own businesses, refusing to let genius Auz help/save them
— - “Of Wolf and Man”:
— - “Sad but True”:
— - “The God that Failed”:
— - “The Memory Remains”:
— - “The Struggle Within”:
— - “The Unforgiven”:
— - “Through the Never”: GREAT guitar and lyrics!
— - “Wherever I May Roam”: –Urvashi/aspara do belly-dance during India-sfx opening/intro
—
–
Iron Maiden
- “Fear of the Dark”
–classic timeless intro and sfx throughout
–Auz lead vocals
–pale/pastel/soft overhead light-blue stage-lights on band members
–“walking a dark road, strolling through the park”
–“a little anxious when it’s dark”
–“I have a constant fear that something’s always near”, screen shows translucent superimposed silhouettes, implying cloaked or shadow-people; Elementals, remote-viewing spies, vampires, forest-people, etc. (but not in a bad way; just a suggestive/objective way)
–“you sense that something’s watching you”
–but shows Auz getting over these fears, evolving beyond this brainwashing, starting to turn and face and approach such ESP/feelings/areas, becoming that which others fear in the dark (by the end of this song) - “Wasted Years” – GREATEST INTRO GUITAR SOLO EVER!
–“across the seven seasTravelin’ on, far and wide”
–“I close my eyes and I think of homeAnother city goes by in the night”
–“Face up, make your standRealize you’re living in the golden years”
–“Too much time on my hands, I got you on my mindCan’t ease this pain so easily”, screen shows the many hotties/loves walking/smiling/laughing beautifully/sexily/enchantingly
- (and other songs by this band)
–TBA
–
Fear Factory:
(Auz lead vocals all these)
- Shock:
–before start: “This whole album got me through so much abuse during my high school years. Thank the fucking gods I happened upon it, or it upon me back then.”
–every “Shock!” paired with screen showing when he stuck a car key in an outlet,
then the trauma-onset moments/milestones of Auz’s youth/adolescence,
then when he stuck metallic gum-wrappers in outlets in middle-school science-class,
then when he summoned lightning,
then a shooting star,
then 3 shooting stars,
etc.
–“I have become a directI have become a currentI have become a directI have become insurgent” (wow; always thought it was saying tyrant, and didn’t like it –glad I finally checked the lyrics because of this concert idea of mine, and learned its message is way more positive/badass/validating)
–“I will be the power surgeShock to the systemElectrified amplifiedShock to the system”, screen shows when poison (fake medicine from V.A.) started zapping the center of his brain, the scariest of tortures / charge-ups
–“Alternate my wiresHeat my core desireI will not stand for condemnationI’ve become the voltsTo lead the revoltFuck with me ensues certain danger”
–…
–“I am the power surgeI am the insurgentElectrified, amplifiedElectrified, amplified”
–final “Shock!” shows Auz now able to shock/shake all of Anchorage, etc., his eyes aglow, lightning sparkling/fizzling across/over his fingertips, palms up, fingers apart, charging himself up, plenty of trauma/emotions/memories now energizing him for the rest of time - Edgecrusher:
–“Conceived in a hell beyond your depth of perceptionChaotic case of conquering dominationPsychopath snaps fired chains of imprisonmentA bludgeoning force that’s undermining the government”, screen shows Auz being bullied/abused by fake relatives, bad ‘teachers’, neighbors, corrupt cops, corrupt CPS, corrupt judges, etc., until he has no choice but to snap and fight back to escape/stop their evil
–“Inflict strain upon the structureCollapsing below my pressureInflict strain upon the structureCollapsing below my pressure”, screen shows him starting to study the military from within, and the government agencies, and the colleges, and healthcare, etc., finding all their lies, plus solutions to them all, thus undermining their campaign/s of evil
–“Break of the Edgecrusher…”
–“The purist, non-conformist, jaded subhuman terroristFrom flesh to steel and blood to blade I fight to existA rival of justice, extreme rush of hatredSurvival in a twisted world where nothing is sacred” - Smasher/Devourer:
–“Fear me not but fear my hellMan made me so I could killPraise me in the name of warI destroy both rich and poor”, screen shows humans not afraid of Auz at first, but VERY afraid of what he became able to do because of the energy built up from their abuse of him; lightning, meteorites, storms, fires, earthquakes, and more
–“I am the way, prepare for salvationI am the way, prepare for salvation”, screen shows Auz realizing he is not just a genius, not just a visionary, not just a prophet, but God
–“Strength in time of sufferingMan alone is a weaklingAscension is what you askI will be the fall of man”, screen shows build-up for the global cleanup operation
–“Those of you who dare to strayI will tear your mind awayThose of you who dare to strayI will take your life away”, screen shows global-cleanup starting; humans and their structures/civilization being deleted - Securitron (Police State 2000):
–intro is police radio clips/sfx, screen shows the corrupt cops tailgating and driving alongside Auz, so often abusing their power, fucking with him all over hearsay from a chronic liar fake-relative, etc.
–base-alarm siren-sfx then paired with ceiling spinning red/orange light-cap, The Wolves bunker being designed, taking shape, zoom out to show it was being imagined into detail in Auz’s mind
–yelling buildup… paired with corrupt cops, feds, judges, starting to have their lives destroyed clandestinely, then put on trial, some executed, some crucified
–“no place to hide” shows all those corrupt humans now being monitored, tracked, scrutinized, audited, inspected, given an endless taste of their own medicine - Descent:
–“Falling victim from neglect”
–“I feel nothing”, screen shows Auz post-deployment, readjusting to life with normal/less/no adrenaline
–“How deep I descend?Until I reach my end?”
–“Deeper into this abyssWeighted down and sinking fastLife did not offer meMore than false destiny”
–repeat of some verses, screen shows progression of his false-hope chapters of life; military, college, I.T., etc. - Hi-Tech Hate:
–triple drum-sfx blur-sound before first lyrics: screen shows rapid succession of 3 nuclear detonations, close-up
–“These weapons of mass destructionAround our world, threat to us allOperated by fears, cold over yearsSystematic death, terminal breath”
–“Leaders of our time just stand behindAn arsenal to end us allFighting a war, we can’t ignoreDestined to fall, cowards to all”
–“We are losing, weapons controllingThis is the hour of your reckoning” - Freedom or Fire:
–rapid cymbals and eerie electric guitar start, then rapid drums join
–“How can you accept social suppressionThis weak state of mind in our timeI demand release from hypocrisyI’d rather die than be held down, forced down”, screen shows some of the countless examples of humans becoming tyrants, ruining their own civilization/communities
–“Freedom or fire”, screen starts showing monks and others setting themselves on fire in protest throughout the years of the nightmare that was/is humankind on Earth
–“I’m on the threshold of revolutionI’d rather burn than be held down, forced down”, screen shows corrupt cops tackling and suffocating detainees/T.I.
–“Unrestrained determinationSet ablaze for liberation”
–“Locked in chains of the sovereigntyLet me be free ’cause I long to beFree! Free!”
–“Unrestrained determinationSet ablaze for liberationSet ablazeSet ablaze”, finally not scenes of people committing suicide by fire, but superpowers unlocked, such as fire-wielding of Dakota,
napalm-wielding Alexa,
and explosions-wielding of Lana,
and fire-magic/Fairy Bloom,
and when Jean Grey goes into Phoenix mode,
and Pele causing/being volcanic eruptions,
etc. - Obsolete:
–talking intro: “man is obsolete, erased, extinct”, screen shows A.I. finishing off the corrupt humans during the global cleanup
–“Nothing is the way it seemsDiscerning man from machines now”, screen shows how robotic/emotionless many humans have become
–“Dominate as to eraseWiping man off Earth’s face now”
–“Defaced by all the inept justiceShamed by the mental abusesBranded ‘inferior weakness’Ordered to cease and desist!”, screen shows A.I./robots finally able to wipe out the idiotic/’fallen’ humans/humankind
–… - Resurrection:
–“Consumed with memories that preceded today
Given a chance to bereave life that’s slipping away” (wow; thought it said “proceeded to die”), screen shows past-life memories, and dream-space events, starting to become remembered by Auz over the years
–“Suffered through tragedy of my slow decay
Deceptive tendencies dragged my soul away”
–“All that I know there was no God for me
Force that shatters all, absence of mortality”
–“Revive all my fears
Revive wasted tears
Revive void within
Revive once again
Again”
–“Forsaken by destiny, forsaken by my own mind
I must remove my skin to see belief in your eyes”
–verses repeat/ing
–end: “Reach for the sky
Touch the sky
Revive a hope
For mankind”, screen near/at end of this song shows - Timelessness:
–Auz says the spoken intro with passion, his mic volume slowly decreased as that part fades out
–“I’ve felt darkness closing in on meChilling shadows surrounding meI’ve had the poison leak into my skin”–“And it corroded my heart awayBled awayCut awayDark night of my soul” - Cars: verse by verse, screen shows Auz’s custom vehicle ideas starting to be sketched (the Irradiati, etc.),
then computer modeled,
3D-printed,
stored in his Cylinder Garage,
driven around to his rotating parking-lots and street races,
etc. - Concreto:
–“Hammer downThe sicknessWipe it outOf existence”, screen shows Auz resisting and overcoming the healthcare dictatorship attempt, finding cures to all diseases, etc.
–“Cut down corruptionCut down infectionScrape downWipe out”
–“concrete, concrete, …”, screen shows him starting to build his stronghold/outpost; FOB1 which rapidly grew into/toward current-state Inisfree
–
Definitely:
- “Miracle” by A Day to Remember: SUPER COOL SOUND AND FUN TO SING!
–keyboard start, then 2nd sfx note rapidly repeating
–drums and electric guitar soon join
–Auz vocals
–“If you could only feel the way that I feel; ready for the war to come my way.”
–“Yeah, I struggled so I know what it takesThe pressure only builds ’til it breaksIf you could only feel the way that I feel”
–“You might think it’s something spiritual”, screen (or massive hologram out over the crowd/stage) shows angelic wings expanding, but no angel attached, then this image suddenly disappears/fades as the next verse starts
(and this can be augmented/enhanced by the stage lights all turning bright white and angling up and out to use their light-beams/cones like wing/feathers-tips
–“But I’m betting on the “right here, right now”To Hell with all the “someday, somehow”I’ve waited long enoughI’ve waited long enough(Don’t need a miracle)Right here, right nowTo Hell with all the “someday, somehow”I’ve waited long enoughI’ve waited long enough(Don’t need a miracle)You might think it’s something spiritualBut I don’t need a fucking miracle”, screen shows Auz fed up with the fake/scam religion/s (clips of all the corrupt ones shamefully lying to his face, stalling him over and over without end, intentionally reading plagiarized scripture passages out of context), starting his own, becoming his own salvation/savior in so many ways
*AND: show the goodmorning-ing self at BS gym front doors; one of the first “miracles” / MAJOR signs (the point being that Auz is his own miracle/s; he doesn’t need the claimed/delayed ones of the liars/xians/relig-tards)
–“If you could only see the way that I seeYou could find the faith to take the leapIt only took one shot to prove I’m not made of glassThere’s no pain you could cause that won’t eventually passIf you could only see the way that I see”
–“You’d be betting on the “right here, right now”To Hell with all the “someday, somehow”I’ve waited long enoughI’ve waited long enough(Don’t need a miracle)Right here, right nowTo Hell with all the “someday, somehow”I’ve waited long enoughI’ve waited long enough(Don’t need a miracle)You might think it’s something spiritualBut I don’t need a fucking miracle”
–“No weapon formed against me shall prosperMy will is strongerStrongerWait”, screen shows all the people who tried to kill Auz, such as those who tried to assassinate him with fake medicine, those who tried to convince him to live in toxic air, those who tried to convince him to let the V.A. fire magnet energy into his brain, those who tried to convince him to inject poison, those who tried to convince him to smoke poison, etc.
–a line, and then a verse, repeat
–end of song, stage lights suddenly aim straight down from forward, and shut off all at once, screen going dark/off at same time
–
Dethklok:
- Murmaider: Dethklok songs just for fun at the end; end on a ‘light’ (for Heavy Metal) ‘note’
- Awaken:
- Bloodrocuted:
- Fansong:
- Better Metal Snake:
- The Lost Vikings:
- Thunderhorse: choir intro
- Hatredcopter:
- Bloodlines:
- The Gears: rapid fun hard
- Burn the Earth: hard catchy start
- Laser Canon Deth Sentence: single note volume increase start to turbo double-bass
- Black Fire Upon Us:
- The Cyborg Slayers: screen features ICVs in ST suits deploying to wipe out bad beings/humans
- I Tamper with the Evidence at the Murder Site of Odin:
- Murmaider II: The Water God:
- Comet Song: catchy quick, and fun wild lyrics
- Symmetry:
Sevendust:
- “Black” by Sevendust:
- “Live Again” by Sevendust: favorite to sing
Soilwork:
- “Rejection Role” by Soilwork:
- “Overload” by Soilwork
- “Figure Number Five” by Soilwork: fun to sing
- “Strangler” by Soilwork:
- “Light the Torch” by Soilwork:
- Departure Plan:
- Cranking the Sirens:
- Brickwalker:
- The Mindmaker:
- Distortion Sleep: pipe organ sfx
- Downfall 24:
Killswitch Engage:
- My Curse: bittersweet smooth strumming 2-elec’-guitars start
–then picks up suddenly, catchy as hell
Burning the Day:
- A Will to Exist: RAPID bass-strumming start, then a growl-rise, drums join, etc.
DevilDriver:
- Hold Back the Day: GREAT drums when they join in ~30sec,
–then RAPID at ~40sec VERY FUN
–mod lyrics to be duet; Auz and an ICV growl-singing together, leaning together as they play, sharing a mic stand (not holding it)
In This Moment:
- Blazin: ICV lead vocals, starts with muffled/faint female whispers/muttering
–when suddenly picks up, fire jets/spouts around the stage erupt full-height, and screen shows fire rushing this way and that, from one side of the screen to the other, overcoming structures, burning them to ash blown into the wind/backdraft
–best female screaming of any song on this webpage / in this whole concert
–synchronized hair-spinning climax for this grand-finale piece/track
–ICV hair and eye colors are all fiery, their eyes brighter than during any other song performed during this concert, flashing through all the warm colors plus pink and white (red, orange, yellow, pink, white, repeat)
–guitarist ICV plays electric guitar over her head/shoulders, leaving it resting on her back at one point, just like “Raz” used to
–mosh pit encouraged –Inisfree-style; wild sex, not throwing elbows at anyone
–band starts headbanging as they climb down off stage, still playing as they enter the crowd and start jamming out and hair-spinning over (bold-legged) and around (encircling) those fucking in the mosh-pit
–end scenes on screen over the band shows interplanetary lightning and mega-fire-tornadoes (during solar-system realignment/s, Venus comet-like close-flyby, etc.) reshaping Earth in a previous era/Age; the wildest/worst “blazing” of all
–
Song by song, the decorations and dancing girls get more and more Satanic-looking (red-and-black color-scheme, demon-horns, 5-point stars, etc.; not evil, just what one expects to see when they hear the term “Satanic”), sexy, and exciting… until, at the final song of this show, they are being fucked hard as Hell right up on the edge of the stage for the whole audience to see, the lighting synchronized to their choreographed orgy-movements, such as when they have rehearsed throwing their heads back in orgasmic ecstasy, and so on. (Babes such as Eden and Aliss are very much into this and always invited.)
The band forms a circle around those doing the fucking, interlacing/’weaving’ their arms and swaying the same way, back and forth, moan-chanting to help them build up their Vril for all to feel, share, and bask in.
By the end of this concert, the mosh-pits are ones of orgies, not violence –except for the kind of hardcore rough sex all the best babes crave and swear by (and all the girls who danced and fucked on stage jump into the audience to be used to their hearts’ content). This is Inisfree. Amen.
–