This is a woman who was once stuck on a dying starship afflicted by a terrible deformities-causing plague.
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Table of Contents:
- Spec’s
- Details
- Druuna & Auz
- Art from the Illustrated Books (Images Begin)
- Live
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Spec’s:
- 5’6″
- 130 lbs.
- brunette, hair naturally straight, left down her shoulders to halfway down her back
- naturally medium-tan / “bronzed” skin
- brown eyes
- “thick” sexy body; a little more “meat” and curves than the “slender-fit” women, but still extremely well-shaped/formed; appears fully toned, no muscle-lines, etc.
- perky D-cup breasts
- usually barely/scantily-clad or naked
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Details:
Druuna is an erotic science fiction and fantasy comic book character created by Italian cartoonist Paolo Eleuteri Serpieri. Most of Druuna’s adventures revolve around a post-apocalyptic future, and the plot is often a vehicle for varied scenes of hardcore pornography and softcore sexual imagery. Druuna is frequently depicted as sparsely clothed or nude, and Serpieri’s high quality renditions of her are often reproduced as poster prints.
Druuna starred in eight volumes of the Morbus Gravis (Severe Disease) series between 1985 and 2003. These stories were featured prominently in Métal hurlant and Heavy Metal magazines. Druuna has also been featured in Serpieri’s numerous and popular sketchbooks, which have sold more than a million copies in twelve languages. Serpieri himself appears in many of the stories as the character Doc.
Morbus Gravis
Plot:
During the thirteen years of publication of Druuna’s adventures in Morbus Gravis, the plot has evolved through several stages, differentiated with numerous jumps in the storyline, with some attendant inconsistencies.
In the first volumes in the series, the action unfolds in a place called The City, a futuristic but degraded urban environment. Humans live in a cramped, hostile, and decadent society, controlled by a religious oligarchy based on the knowledge of “Truth.” In this society, books are banned and power is exercised by a corrupt and despotic militarized bureaucracy.
Although never clearly stated, this current era, known as the “Age of Man”, is presumed to be the aftermath of a war. As told by the priests, an incurable, infectious disease called Evil has spread among the population that transforms people in a progressive and rapid fashion into amorphous, tentacled mutants. As a precautionary measure, all of the City’s inhabitants are forcibly injected with a serum periodically distributed in overcrowded health facilities. Many believe that those found to be “healthy” will be sent to the City’s upper levels, a place inaccessible to the majority but where those selected enjoy a better life free from want and hardship. Similarly, those infected with “Evil” are sent to the lower levels. Druuna and her lover Shastar exist in this environment.
After a series of adventures, Druuna discovers that the City is actually a giant spaceship which left Earth after an unspecified cataclysm and has drifted through space for centuries. At some point, Lewis, the ship’s captain, delegated control to the computer Delta, which is responsible for creating the current state of affairs. (The Priests are actually androids operated by Delta.) Delta transformed Lewis into an immortal being, using organic parts from the healthy people who had been admitted to the upper levels of the City. Now, Lewis, tired of immortality, wants to die, which would eliminate Delta and destroy the City. This conflict is partially responsible for the gradual degradation of life on the ship/planetoid.
Druuna is recruited by Lewis to help him destroy Delta. Unaware of fact that it would mean destruction of the City and all its inhabitants, Druuna finds Delta and carries out Lewis’s plan. At the end Lewis reveals his true plan to destroy the City, but also confesses he fell in love with her and changes his mind about destruction. In turn, Lewis puts Druuna in a state similar to hibernation for centuries, waiting for an opportunity to improve conditions on the City. The story then introduces a man named Will, who commands another ship, similar to the City, which has become, thanks to the evolution of Evil, a super-organism. It is revealed that apart from the City, humanity is not entirely extinguished, but that other groups of humans survived, using genetic engineering to improve their abilities.
Embarking on Commander Will’s spacecraft, Druuna discovers that the minds of Shastar and Lewis have been merged and transferred to the new ship’s computer. The disease called Evil appears among the new ship’s crew, so Will and Doc (author Serpieri’s alter-ego) telepathically introduce Druuna into the mind of Lewis-Shastar, discovering the elements that make up the antidote serum. When Druuna gets trapped in the computer mind, Will enters it to rescue her. Discovering that they actually have no means to develop a cure for the disease, they decide to destroy the ship and crew (as well as the computer that houses the merged minds of Shastar and Lewis). Druuna, Will, and a few others escape in a rescue capsule, where they are all put into a state of suspended animation.
After the capsule crashes on an unknown planet, Druuna awakens alone. She is soon caught in a war between two alien species, one of which is composed of parasitic beings who need organic specimens as hosts, and the other of intelligent robots pursuing the objective of creating organic life. Apparently, the planet is Earth thousands of years after a war between men and machines resulted in the extinction of the former. The machines want to recreate their creators to try to understand humanity. Will briefly reappears and is kidnapped. Shastar also reappears, now working with the machines in their aim to recover the human species. Toward that aim, they decide to clone Druuna.
Style and Content:
The Morbus Gravis series is noteworthy for featuring explicit content in terms of both graphic violence and sex. Volume 3, Creatura, in fact, features near-totally explicit sexual penetration, and the three subsequent books feature totally uncensored penetration. The Heavy Metal reprints differ from the stand-alones by having censored hardcore portions via oversize speech/thought balloons. In vol. 5, Mandragora, several pages were simply excised. The series returned to a non-explicit depiction of penetration in such scenes with vol. 7, The Forgotten Planet.
Character:
In most cases, Druuna’s role is that of a willing sexual object, submitting to sexual advances of all kinds with little or no complaint, other than the occasional sad pout, though she has been raped on more than one occasion in the series. Serpieri claims that the character’s approach to sexual pleasures is a challenge to Judeo-Christian mores on sexuality.
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Druuna & Auz:
Due to her complete innate and cultural comfortability with all sexual advances, Druuna was a shoe-in for Auz‘s Inisfree. Inisfree had long-since left the Earth by the time she came into existence, but the ongoing observation of the known Universe by its people and the mind’s they ‘surfed’ through lasted forever; they soon spotted her signature, and smoothly portal-ed in to rescue both her original and her clone. She has since been cloned many times over, and is one of the form-sakes of Inisfree, honored with her life-size likeness crowning the interior of one of Inisfree’s shrine-mansions. The original and her first clone share a residence in Inisfree, where they often entertain Auz and his First Girl, all four of them in a polyamorous cohabitation love-square (as opposed to a love-triangle).
Druuna loves to work with Inisfree’s kajirae, as it is a shared nature amongst them to be openly fully sexual. She can be considered pan-sexual, and after her experiences with the tentacle-inducing mutations of what her robotic priests simply called the ‘Evil’ infection, she absolutely adores and drools over every opportunity to go on sexual adventures down in the various cave-annex sex-dungeons beneath the surface of Inisfree; the Underway‘s beastiality facilities are her favorite places to be, and she often invites Auz down there with her to show off for him so he can get off very easily.
One of the most common orgy gatherings Druuna participates in while living in Inisfree with Auz is that of herself, her clone, her ICV entourage, Carmilla Black (PB Nina Dobrev), and the Eva Angelina ICVs. Sometimes the perfected version of Charlie Garcia also joins in. Then, of course, do Freyja and Sarah Conrad; First Girl of Inisfree.
When she isn’t fucking animatronic tentacles in Inisfree, she joins Auz’s Star Fleet ships when they go out on pleasure-patrols, sharing healing and sexual-perfection abilities with all the compatible and worthy worlds and beings they have come across (pun not intended). Her first clone usually accompanies her, as does an entourage of her ICVs; the Inisfreeans made to look just like her, who now lovingly function as her own Secret Service. Together, they have tracked down and cured every last one of the people infected with the tentacles-inducing mutations of ‘Evil’; the Inisfreeans are, after all, the smartest and most gifted healers in all the Verse.
Her best friends have become Freyja and Julia Mackey, both other pan-sexuals. They hang out together by doing sexy beastiality roleplaying in many places. These three women are always looking out for, taking care of, and helping one another orgasm long and hard.
* Druuna was the greatest inspiration for the Aorlie character and video/computer game series.
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Art from the Illustrated Books:
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Live:
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