80s (sung by our Amber ICV1)
- “Crazy” by Seal
- “She Drives Me Crazy” by Fine Young Cannibals
- “The Heart of Rock & Roll” by Huey Lewis & the News
- “Bad is Bad” by Huey Lewis & the News
- “Hip to Be Square” by Huey Lewis & the News
- “If This is It” by Huey Lewis & the News
- “I Want a New Drug” by Huey Lewis & the News
- “The Power of Love” by Huey Lewis & the News
- “Rebel Yell” by Billy Idol
- “Come Back to Me” Sunglasses Kid (feat. The Boy and Sister Alma) –sung by Nina or Josie ICV
- “Come Alive (feat. Anna Moore)” by Ace Buchannon (New Retro Wave) –sung by our Josie ICV
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“Crazy” by Seal
great slow and moving build for first song of this show
overhead screen shows purple grid terrain of 1st-gen’ computer/video-games with rising sun like in the cover image for this concert webpage
then portrait images/clips of Amber smiling like they show framed views of people somewhere over/on/in the corner of an 80s TV show’s opening credits
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“She Drives Me Crazy” by Fine Young Cannibals
Amber dances while Auz sings to/about her, clips of her posing while holding up outfits to see what he thinks of her in them, then clips of her vogueing cutely for him as they get the first shops in their mall stocked for business, then her at work in their office downtown… wearing her couture diaphanous business-woman outfits at Sotu as his first ‘office bunny’ and eternal top-secretary, and showing Auz starting to smirk or grin as he watches her confidently casually strut around the office through the ‘glass’ (transparent metal) walls separating the desks/suites on their WGI HQ Tower floor, meeting with others, delivering documents or concept/proto printouts to them for their review/touchups, then looking over the scale-model of their city with him, standing at his side, arm around him by default when they stand together, and she points out some things while looking at his eyes and then his lips while listening to what he thinks about what she is pointing out or suggesting
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“The Heart of Rock & Roll” by Huey Lewis & the News
this song is next because the girl/s who drives Auz ‘crazy’ (happy/aroused) are now getting his heartbeat up where it likes to be
overhead screen shows the streets of Sotu, but with its luxury POVs, hover shuttles, and the VRII band crossing streets in their outfits, greeting people on the sidewalks and by the fountains, etc.
more clips now show the GAH spirals around/through the shapeshifting skyscrapers rotating, then the rotations of the hanging mansions… from outside and then inside… with clips of galas / house parties inside some of them; their house-warming parties / christenings, …and then clips of going down into the under-concavity
brief clips of his expeditions/drives to each of the cities in the lyrics; show San Antonio when that city is mentioned in this song, etc. — and show clips of his face ‘lighting up’ when a song he likes comes on one of those city’s radio stations, and him using his Shazam to get it, then his band practicing it in their Jam Shanty back home before heading out into the city again for more inspiration and opportunities to do mini-performances for the people there
finally: clips of hanging out in Sotu’s lounges, the band with him waving and greeting people there, chatting, sharing drinks, etc.
zoom out as the heartbeat ends this song, showing Sotu from a Rooftop Carrier POV as it flies/zooms out/away from a few miles up and off to the side, showing the wall and one side/corner of the central slope, etc.
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“Bad is Bad” by Huey Lewis & the News
VRII dressed like ZZ Top, clips of them playing in one of the Sotu lounges as if it’s a blues/BBQ joint, Auz with his beard, all of them with their beach sunglasses, the VRII girls’ outfits see-through, of course
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“Hip to Be Square” by Huey Lewis & the News
clips from American Psycho; actor dancing to this, and Auz dressed as him; business trench coat, hair slicked back, etc.
clips of American Psycho actor doing the mirror flex, etc.
clips of the American Psycho actor at the office, on the phone, “working out most every day” crunches/bicycle-kicks at that lyric, etc.
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“If This is It” by Huey Lewis & the News
again, the whole band moves like ZZ Top; all the girls leaning one way with their guitar handles, then the other, to the beat, slow and blues-y, etc.
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“I Want a New Drug” by Huey Lewis & the News
clips showing them performing this in their Studio 54 club… and then in the Easy Rider club
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“The Power of Love” by Huey Lewis & the News
expanding/moving framed clips/rectangles/busts of the smiling faces of all Auz’s wives, starting with Adeline, and going down the list alphabetically/chronologically, just showing them giggly blushing chatting etc., each framed clip curving up off the overhead screen in different directions/arcs
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“Rebel Yell” by Billy Idol
VRII girls are being raised up slowly on cylinder pedestals black solid with a light-ring around their top ledge… until the band members are several feet up off the stage and all at different heights to each other, this happening over the first minute of the song
overhead clips of Amber and other ICVs riding guys in the different residences of Inisfree, throwing their hair back and crying out in ‘sextacy’, their partners reaching up and gripping their tits as they keep riding to the beat, etc., show Xenia doing this, Rachael, Meagan, Charlize, all/etc.
clips of them riding in backseats, shaking the whole vehicle, even at the drive-in theater
then clips during the chorus of their sports/luxury cars racing down the GAH, top down, wind in their color-changing hair, etc.
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“Come Back to Me” Sunglasses Kid (feat. The Boy and Sister Alma) –sung by Nina or Josie ICV
now transitioning from the original 80s hits… to the 2010s’ New Retro Wave covers/remixes/fusions of them
overhead screen shows clips of Amber seducing people in the streets and restaurants, then riding them in her loft downtown, her motions sync’ed to the beat
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“Come Alive (feat. Anna Moore)” by Ace Buchannon (New Retro Wave) –sung by our Josie ICV
Nyria on sax, center stage, naked
clips showing her in all the areas of Inisfree, her life going from getting the city ready, to directing ICVs to board one of the 5 Rapture-campaign WarShips, then unleashing the deleting-beams during “no holding back”, flying over the (bad Earth-human) civilization being erased beneath them…
then “you’ve been runnin’ away” shows clips of his many unexpected road trips and pre-Inisfree forced/last-ditch relocations, etc.
“I’ll help you free what’s trapped inside” shows Nyria helping Auz get all his ideas jotted down and printed/built –and explained/translated to the others showing up to help/join him
“feeling the rush,” shows Nyria riding Auz and helping him cum with her, then shivering while straddling him
“take my hand and don’t let go” shows Nyria reaching for Auz’s hand to hold it whenever they walk somewhere
“I wanna feel your heartbeat” shows Nyria cuddling on/alongside Auz’s chest as they fall asleep on the big bed of the ICGM‘s master suite
“your true colors come alive” shows Nyria demonstrating her color-changing hair and eyes for Auz as she looks lovingly and hornily up at him
” ’til the stars align” shows Auz’s dream/vision of that happening; into the glowing/brightening sigil circle
maybe close this song and concert with fading clips of Auz during his 80s youth milestones; “rise above the pain” lyric goes with this, as does “break free from the past”
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