This is Auz’s rock-band information.

 

Table of Contents:

  1. Introduction/History
  2. Garage-band Jam-sessions
  3. Heavy Metal Goth
  4. Ramping Up for the Recording Studios
  5. Violent Rebirth II
  6. Violent Rebirth III
  7. Dressed Accordingly
  8. Why the name?
  9. Bands We Cover
  10. Lyrics of VR2 Parodies
  11. General Gallery
  12. Singing Once Again
  13. Playlist of Songs We Copy
  14. “Lights” Hits
  15. “Queen of the Damned” Hits
  16. “Sigrid” Hits – We Are Improving the Lyrics
  17. Zara Hits – ICVs Sing with More-feminine Voices
  18. Playlist of Songs We Cover with Hotter Female Vocals and No Lame Lyrics
  19. The Firetruck VRII Sometimes Performs Atop
  20. Closing Call; Invitation
  21. 2021 Update
  22. 2022 Update
  23. 2023 Update
  24. 2024 Updates
  25. 2529 Update

 

Introduction/History:

The original Violent Rebirth (now abbreviated as VR1) was started in the heart of Iraq between combat missions, and lasted for a couple years thereafter.  It was something half a dozen of the guys on my team used to unwind and vent through the genres of barbershop quartets and rock, and became a garage band in southern California, quite literally, but fizzled out when its members were scattered into different units, deployments, and home states.  What it started, inspired, and fanned the flames for, however, has lasted all along.

  1. Auz:  vocals
  2. Craig:  bass
  3. Malcolm Xenicus “Malcolm X” Mardling:  drums
  4. Roger “Raz” Rasmussen:  guitars
  5. (and there was always a brief and frequently replaced 5th member; sign of the times)

 

Garage-band Jam-sessions:

Heavy Metal Goth:

Ramping Up for the Recording Studios:

Violent Rebirth II

Violent Rebirth II (VR2) is the name of my second band, and it is all lifelike robots with synthesizers in place of human vocal chords; no humans this time.  These band members were entirely reliable, had no scheduling or relocation issues, and helped me complete all of my VR1-started lyrics, songs, instrumentals, stage performances, and other compositions.  (I knew that since I had felt the urge to compose so many across so many genres, and even sing some of them to my fellow warriors to see what they thought, that something that powerful and healing for me, determined to see the light of day even during nearly-hopeless seasons-long combat operations in a hellish war-zone, had to be returned to and given ample time to finish coming into its own.)  VR2 practiced at the Jam Shanty in the greenbelt behind the Governor’s Mansion of Inisfree, and performed all across that first city of ours.

  1. Amber Heard ICV1:  gold on white
  2. Anastasia Kassar (any of her ICVs):  gold on tan
  3. Auz (That’s me!)
  4. Charlize Theron (any of her ICVs):  blonde on white
  5. Elena “Inna” Alexandra Apostoleanu (any of her ICVs):  black on light tan
  6. Graciella (any of her ICVs):  dark brown on brown
  7. Josie Maran (any of her ICVs):  brown on white
  8. Kim Possible (any of her ICVs):  red on white
  9. Megan Ramirez (any of her ICVs):  medium brown on light brown
  10. Nina Dobrev (any of her ICVs):  dark brown on light brown
  11. Nyria Serra (ICV0):  black on olive tan
  12. Olga Kurylenko (any of her ICVs):  dark brown on olive tan
  13. Rachael Morgan (any of her ICVs):  black on white
  14. Vanessa Hudgens (any of her ICVs):  dark brown on tan
  15. Xenia Deli (any of her ICVs):  brown on bronze

The reason there are so many members in VR2 compared to VR1 and most other bands is that we use more instruments, play songs from more genres, and sometimes include acrobatics, dances, and even sex-on-stage in our performances.  (Sometimes we fuck each other while singing and playing our instruments, right in front of the whole crowd.)  When we play a symphonic-metal piece, this gives us enough manpower to devote one person to each of a dozen instruments, with players to spare.  Since they’re all ICVs, they all know how to play each others’ instruments and sing each others’ parts with no practice necessary; our jam sessions are just for my personal fun and thought-process stoking.

Originally, VR2 was just these 5 members, though:

  1. Amber Heard ICV1:  blonde
  2. Auz
  3. Kim Possible (any of her ICVs):  redhead
  4. Nyria Serra (ICV0):  black-haired
  5. Xenia Deli (any of her ICVs):  brunette

Performances in Inisfree are sometimes mobile; we use a custom firetruck with a built-on stage on top, speakers attached to the telescoping ladder, and many other cool features to keep the crowd thrilled and engaged.  Performances on other worlds occur on special occasions, and we really love performing in the ships of Inisfree’s Star Fleet; for those being entertained or rescued by the other ICVs there.  Then, of course, we also perform on the worlds of Inisfree’s private star system; each has 1,000 Inisfree-like cities on and in it, and whenever they have visitor populations of babes who love our music, we oblige.  (Though usually it is small groups of the ICVs born from and stationed in those Inisfree-like cities who perform our songs as perfectly as we do; we are a collective consciousness, after all, and they were built to love performing like that.)

 

Violent Rebirth III

In the years ahead (2020s), Violent Rebirth III (VR3) will finish being formed; it is my third band, and consists of my most musically-inclined wives who love to jam out and perform live.

  1. Alison “Dazzler” Blaire:  vocals and sometimes keyboard/piano, as well as telepathic visual effects
  2. Auz:  duet & backup vocals, as well as a few instruments
  3. Dinah “Black Canary” Laurel Lance:  vocals and sometimes drums
  4. Jacqueline ‘DreamWeaver’ Diamonds:  vocals and a lot of the album art, as well as stage designs
  5. Sirena “Mermaid Barbie” Mako:  vocals and sometimes guitars
  6. (whichever of my other wives wishes to perform with us each time)

All my favorite songs are covered by VR2, and many are covered by VR3.  We have our own original songs and other pieces, too.  Both bands work with me on a weekly basis to perfect and jam out some more.

 

Dressed Accordingly:

When Auz gets up on stage, he is often wearing only a muscle-shirt or none at all, showing off his chest, back, and arms full of awesome tats.  He sometimes lets his hair down, too, though that makes him much warmer than he is now used to.  During sex scenes on stage, he might strip down to nothing but shoes –or nothing at all.

His band members/mates also wear very little, showing off most of their bodies all the time during every show.  These girls always tie or cut their shirts/tops to show off all of their perfect feminine abs and hourglass curves, often also showing off sideboob and/or underboob.  They tend to braid each other’s hair in long, wide/thick pigtails to keep it out of the way of their instruments, though sometimes they leave it down, straight, and untied/unbraided, as that is much better for their synchronized hair-spinning moments.

They all wear something that matches the genre or time period they are playing music from, and that is usually just a hat, jacket, shorts or pair of pants, etc., based on whatever the original band or general masses of the time liked to wear.  When playing music from the 50s, for example, they’ll look like a Big Band dressed for that era.  During shows where the songs are alternative, grunge, or metal, however, they’ll look like you might expect such a modern and edgy band to; they’ll have black jeans, black t-shirts, armbands around their wrists, maybe a spiked belt or something to that effect, etc..

 

Why the Name?

‘Violent Rebirth’ was what I settled on after the original other three human band members couldn’t make up their minds.  ‘Violent Rebirth’ and ‘Violence Reborn’ were the two top picks back in 2004.  I don’t think they ever came to a universal or even majority agreement on that one, and it would have easily killed the band; no uniformity in work and vision will derail anything, confusing all the prospective audiences and customers.

To me, ‘Violent Rebirth’ sounded more fitting for us; we had been reborn, as they say, through ‘the fire’ of Marine Corps training and combat.  It had turned us from boys into men, or from already-brave men into well-trained machines much more difficult to stop or deter.  ‘Violence Reborn’, on the other hand, sounded like we were trying to become violent again after a long spell without it, or like we were trying to bring back violence after violence itself had died out for a while, and I, at least, was certainly in the military to help stop wars, not start them; I was finding ways of helping people create lasting true peace because of the effect my violent rebirth(s) had on me.

VR2 and VR3 kept the original Violent Rebirth name for the same reasons; both those new bands’ members had been through a really rough start, and it had left them striving for true peace more than most.  Our violent rebirths had made us want to prevent any violence being reborn.  It’s also a ‘tip of the hat’ from us to the original human members; those guys may have had issues that prevented VR1 from really taking off, but they were the ones who pushed through the most bullshit just to make the first little bits of music even possible, and that took a lot back then, and for very many reasons some people might never understand.

 

Bands We Cover:

In both VR2 and VR3, we do predominantly female-vocals covers of all of the greatest hits.  This is how we love to sing and play, honoring the perfect compositions of the best bands of all time.  I just make sure to have sexy girl voices in place of most male ones because, in my opinion, that makes just about any music so much better.

  • 24kGoldn
  • A Day to Remember
  • Acele
  • Aerosmith
  • Alan Silvestri
  • Alexander Rybak
  • Arch Enemy “We Will Rise”
  • Ariana Grande
  • Audioslave
  • Avid Dancer
  • Beach Boys
  • Beck
  • Belanova
  • Billie Eilish
  • Blink-182
  • Blur
  • Boyz II Men
  • Breaking Benjamin
  • Brian McKnight’s “Back at One” album
  • Bryan Adams
  • Bush – for “Machinehead” (and several other hits of this band)
  • Butthole Surfers
  • Callmestevieray & Connor Price
  • Camila Cabello
  • Candlebox
  • Chaka Khan
  • Chris Brown
  • Christina Aguilera
  • Ciara
  • Claptone
  • Clean Bandit
  • Clem Leek
  • Coldplay
  • Coolio
  • Cracker
  • Creed
  • Crystal Fighters
  • Cutting Crew
  • Da Tweekaz
  • Dan Balan
  • Danzig
  • Dashboard Confessional
  • Dave Barnes
  • David A
  • David Allan Coe
  • Def Leppard
  • Demi Lovato
  • Dimmu Borgir
  • Dion
  • Diplo & HUGEL
  • Disturbed
  • DJ Abdel
  • DJ Snake
  • Dry Cell
  • Dua Lipa
  • Ed Sheeran
  • Elliot Berger
  • Elvis Presley (with all-female backup vocals instead of the original male ones)
  • Erotica Lounge
  • Evanescence (the female VR2 & VR3 members are the only singers during these covers)
  • Fear Factory
  • Fickle Friends
  • Fireflight
  • Flor
  • Foo Fighters
  • Frank Sinatra
  • French Montana
  • Fuel
  • Fun.
  • Garbage
  • Gardiner Sisters
  • Gorillaz
  • Graveworm
  • Green Day
  • Halsey
  • Huey Lewis and The News
  • Imagine Dragons
  • In Flames
  • Inna (the female VR2 & VR3 members are the only singers during these covers)
  • Interpol
  • Iron Maiden
  • Iyaz
  • James Bay
  • Jane’s Addiction
  • Jasmine Thompson
  • Jason Derulo
  • Jet
  • John Phillips
  • Jordin Sparks
  • José González
  • Joshua Micah
  • Justin Bieber
  • Justin Timberlake “Can’t Stop The Feeling”
  • KMFDM
  • Ke$ha (the female VR2 & VR3 members are the only singers during these covers)
  • Keith Urban
  • Killswitch Engage
  • Lacuna Coil (the female VR2 & VR3 members are the only singers during these covers)
  • Latto (and, ofc, we changed the lyric “double D’s”, in their song titled “Lottery”, to be “perfect C’s”)
  • Lauryn Hill
  • Led Zeppelin “Stairway to Heaven”
  • Lights
  • Limp Bizkit
  • Lit
  • Little Mix
  • Lullanas
  • Marilyn Manson
  • Maroon 5
  • Me First and the Gimme Gimmes
  • Megadeth
  • Melanie Martinez
  • Men Without Hats “Safety Dance”
  • Metallica
  • Metric
  • Michael Jackson
  • Monster Magnet
  • Mumford & Sons
  • Mushroomhead
  • Nadia Oh
  • Nickelback
  • Nicki Minaj
  • Nightwish
  • Nirvana
  • Noosa
  • Nothing
  • OceanLab
  • OneRepublic
  • Oonagh (the female VR2 & VR3 members are the only singers during these covers)
  • Owl City (my girls sing backup vocals for me as I perform “On the Wing”)
  • P.O.D.
  • Paco Versailles
  • Papaoutai
  • Paramore
  • Peter Bradley Adams
  • Queen
  • Queens of the Stone Age
  • Ram Jam
  • Rammstein
  • Ramones
  • Raunchy (just one of their instrumental intros)
  • Red Hot Chili Peppers (we have both male-vocals and female-vocals covers of their songs)
  • Richard Cheese
  • Saint Motel
  • Seal “Kiss From a Rose”
  • Seether
  • Selena Gomez (the female VR2 & VR3 members are the only singers during these covers)
  • Sevendust
  • Shawn Mendes
  • Sigrid
  • Silverchair
  • Simon & Garfunkel
  • Skrillex
  • Sneaker Pimps
  • Soilwork
  • Sonata Arctica “Wolf & Raven” (and a few other hits of this band)
  • Soundgarden
  • Space Cowboy (with Nadia Oh)
  • Spacehog
  • Static-X
  • Stone Temple Pilots
  • Switchfoot
  • t.A.T.u (the female VR2 & VR3 members are the only singers during these covers)
  • Taylor Swift
  • Temple of the Dog
  • The Beatles
  • The Black Keys
  • The Doors
  • The Flys
  • The Hip Abduction feat. Trevor Hall
  • The Killers
  • The Kinks
  • The Presidents of the United States of America
  • The Pussycat Dolls
  • The Red Jumpsuit Apparatus
  • The Revivalists
  • The Script
  • The Strike
  • The Strokes
  • The Used
  • The Verve Pipe
  • The Weeknd
  • Three Days Grace
  • Three Dog Night
  • Tim McGraw
  • Tom Petty
  • Trans-Siberian Orchestra
  • Trevor Something
  • Tripping Daisy
  • Trust Company
  • Tyr
  • U2
  • Vanilla Ice
  • Veruca Salt
  • Village People
  • Wallflowers
  • Warren G
  • Weezer
  • White Stripes
  • White Town
  • will.i.am
  • Wookiefoot
  • Ying Yang Twins
  • ZZ Top “Legs”
  • Zara Larsson
  • Zebrahead
  • Zeni N
  • and “Song of the Lonely Mountain” (a.k.a. “Misty Mountain Cold”) from The Hobbit
  • More to be posted here soon…

 

Lyrics of VR2 Parodies:

Sing along if you know the words!

  • Beatles hits by Drill Instructors:  “Here comes the sun, do n do do, gonna crush my balls, do dooo do do.”
  • From church hymns:  “Star of wonder, star of light, rectal fury, burning bright, ever bleeding, balls receding, take us through, your meh-thane pipe”
  • Children’s music remixed:  “You are my sunshine, my only sunshine, which means I’m pre-tty, fuckin’ cold. Because you don’t rise, just like the Sun does, so I end up, free-zing a-lone.”
  • Presidential march:  “Hail to the chief.  He’s the chief; you better hail now.  Hail to the chief or we’re gonna hafta shoot you bastards.”
  • Disney movie classics:  “Look at her boobs, wonders untold.  How many penises can her mouth hold?  Lookin’ her up and down, ya think:  Damn; this bitch has everything.”
  • Military radio-checks:  (loudly sung over the handset to the tune of The Marine Corps Hymn, or other songs, such as one by Bush)  “Victor three, this is victor four, we re-quire a ra-di-o chehhhhhck.”

More TBA.

 

General Gallery:

Singing Once Again:

Playlist of Songs We Copy:

And:

“Lights” Hits:

“Queen of the Damned” Hits

“Sigrid” Hits – We Are Improving the Lyrics:

Zara Hits – ICVs Sing with More-feminine Voices:

ICVs sing this with such emotion, looking right at Auz near them on stage, resting their hands on his chest or shoulders at times.

Playlist of Songs We Cover with Hotter Female Vocals and No Lame Lyrics:

Also:

  • Is It Over Now (Taylor’s Version) – by Taylor Swift –fixing the unbelievably evil/backward lyrics/brainwashing of the original
  • Stay High (ft. Julia Church) (VIP) – by Diplo & HUGEL –vr2, congo com’, jungle fev –perfect sexy TRIBAL BASS DRUMS!
    –VERY sexy female voice
    –just remove “pain” lyric, and mod so it is instead “to keep you on my mind”; positive
  • 2024 August addition:  “Trigger” by In Flames; original mostly just has a good intro
    –switch lead singer to female; ICV
    –no more growl-yelling; say and sing the words sexily/smoothly (b/c almost all lyrics were difficult to understand, even when reading along from Google)

 

The Firetruck VRII Sometimes Performs Atop:

This is Auz’s stage-firetruck for VRII mobile-concerts:

If you see it leaving club Spray and driving around, rest assured a big performance is coming right up.

Closing Call; Invitation

Are you a hot young chick who can play like a rockstar and wants to orgy with my band at every jam session?  Then contact me for an audition –an adult audition.  You might be the very next member of Violent Rebirth.

 

2021 Update:

VRIII is now performing The Weeknd’s “Blinding Lights”, High King Auz on lead vocals just like always.  This is also the first song his bands have covered which they have applied both male and female vocals to; the female-vocals version he had the idea for is now being performed by VRII, Amber Heard ICV1 on lead vocals.  Enjoy!

 

2022 Update:

None other than the legendary Starfire (now one of Auz’s many adoring polyamorous flawless-goddess wives, she in particular going on four years with him now) has started jamming out with VR3 from time to time.  Will she perform on stage with them in the coming years?  Time will tell.  Probably; she is amaze-balls, after all.

VR2 started practicing “I Feel It” by Avid Dancer, both with vocals and then as the song’s first instrumental version.  VR3 will soon start practicing it, its vocals sung by Elena “Werewolf Barbie” herself (who Auz first saw beautiful smiling golden-blonde visions of the moment he heard this song online for the first time) as we (she and I; Auz) dance close while eye-locking and adoringly-grinning to each other.  This is Inisfree.

 

2023 Update:

Nadia, being a Siren and all, naturally has started joining our jam sessions.

In April, the singer-demon, “Aliss”, started planning singing-during-sex hangouts with Auz, and that was soon followed by more of the same in the jam-shanty for his band/s.

My (Auz’s) four children by/from Ambi have, since about 2 years ago, been in a barbershop group with me, thus my 2nd barbershop group (the first being in Iraq).  Not a barbershop quartet, ours here/today is a barbershop quintet.  We typically just sing/perform for their momma; Ambi, love of my life (and theirs, though they equally love me), queen of the Universe forever.

Already perfect, but doing a female-vocals version anyway:

2024 Updates:

  • We fixed this faggot song:  “Keep Riding Me” by Jake Hill.  (It is now sung by a female, of course, with non-faggot lyrics.)
  • all Paco Versailles now in sexy female voice; way more fitting for the sounds of their songs
  • ICV MF SS always handle security; the usually mobile entourage of ~a few dozen, plus police-girl ICVs out in the crowd, always ensuring everyone in Inisfree who wants to enjoy an orgy after the show gets to, and, when in the Outlands, every hottie in the audience who I’d lust for also gets to meet me backstage after the show for fucking and hanging out right after. Amen.
  • Both bands (VR2 and VR3) don’t charge anything; Outlands venues get to keep all their ticket revenue.
    All we require is that the audience be people who respect me and my civilization/culture.
  • We never go on tour, and never risk burning out; we only play a concert one or two times; once in my realm, and once outside it.
    In the future, we might replay favorite concerts, such as when Inisfree moves to other realms for many years at a time, but that remains to be foreseen.
  • We fly to Outlands gigs via AF1, of course; my idea of a private jet.

2024 July 12 Friday addition:  History

  • 1990s: choir and solo singing in school, and in competitions at other schools, and even a few big concerts at some of the nicest performance halls on Earth; developing my voice (range of notes, volume, precision, rhythm, precision, memory, awareness of genres and composers, etc.), plus first piano lessons
  • 2001: brief single barbershop quartet moment at night on a soccer field with fellow cadets, maybe a few dozen spectators noticing
  • 2003: annoyed at how tone-deaf so many drill instructors and fellow recruits in Marine Corps Boot Camp were when singing the Marine Corps Hymn, and I always raised my volume to sing the correct notes over them all (~80 recruits + ~4 instructors every night for a few months), but I was never chosen as the platoon “songbird” since I was the Guide and one of the “artist recruits”; already busy every day all day
  • 2004: silently wept to the moving Evanescence as I continued processing the loss/aftermath of my high-school sweetheart… while sitting on the desert ground between practice wars near Death Valley
  • 2005: barbershop quartet, rarely an audience other than a few fellow troops, and I fell in love with the music CD leant to me called Nuclear Blast (from which I discovered rapid symphonic metal), plus the sound of A Perfect Circle when my squad-mate let me listen to it on his portable CD player one mission
  • 2006: garage band, our own riffs and full songs, I usually singing what others wrote, plus what I had written, and occasionally a military family or passing barracks-mates stopping to listen as we “found our sound”, plus the first time I tried the electric guitar and bass guitar
  • 2007:  Violent Rebirth breaks apart due to diverging lifepaths, then my first times at night clubs and seeing DJs
  • 2007-2012:  performing only for myself, typically alone in shitty apartments with junkie neighbors who hated hearing me and sometimes yelled their own music lyrics through the vents, forcing me to drive to the edge of town or the countryside to practice in my car where they couldn’t interrupt
  • 2007 and on: continuing to use music as therapy/medicine and inspiration
  • ~2008: tried a didgeridoo, then was gifted my own
  • 2009: saw one of my favorite bands, Static-X, live and loved it
  • 2010s: only able to add individual song players, not playlists, to my first website, thus some of its webpages started looking cluttered
  • 2012/2013:  VR2 is envisioned, then starts with 5 members, just like VR1 did/had
    –performing for a few to several people at a time, but not in any concerts yet
  • 2014:  performing for a dozen or at a time, still not in concerts
  • 2015:  for dozens (at least a 5×5 group in front of the stage), at random locations in still-under-construction (post-main-construction furnishings and other additions) Inisfree
  • 2016:  hundreds (at least a 15×15 group), at some of Inisfree’s lounges, etc.
  • 2017:  thousands (at least a 45×45 group) (not 10K/+), at some of Inisfree’s outdoor/public gathering places, such as for major holidays and other popular events
  • ~2016-2017/2022-2023: saw numerous concerts live in Evansville, Madison, and Big Sky, and got some more good ideas from them
    –I realized after all those Outlands concerts I went to… that humans were unhealthy, rude, heartless, spoiled, and worse; not at All those who deserved to hear my voice or words/message or (band) sound; I would be performing for some Other species/ppl.
  • 2018: finally able to add playlists to my webpages now that I had changed hosts and rebuilt my whole website, and getting hands-on experience with the software of a recording studio in a mansion, plus free drums lessons, and was excited when I taught myself to play the Tam House piece from the Firefly OST)
    –saw Hollywood Undead (great fans interaction and sense of humor), and In This Moment (sexy-af robes, witch-like moon-orbs dance), live
    –performing for tens of thousands (at least a 141×141 group), such as at big galas
    –and first lullabies; to my four newborns from Ambi
  • 2019 and on: started drafting concerts; playlists with stage performance instructions, and preparing to perform in front of audiences ranging from hundreds to thousands
  • 2019 Spring/Summer:  first jam session in the Jam Shanty; first time an ICV was there for that
  • 2019 Autumn:  first concert in Auz’dome, doubling as first with an audience of >100,000 (at least a 317×317 group)
  • 2020 Spring:  first concert at the Welcoming Square, doubling as first concert atop the firetruck-stage
    >1,000,000 (picture at least a 1,000×1,000 group)
  • 2020 Summer:  first concert outside Inisfree; cabin backyard
  • 2021:  Inisfree’s first radio (Ansible) stations for music, thus first time my concerts/music was on a radio station
  • 2021 Summer:  VR2 increases to its lasting 15; 10 ICVs added (in time to rehearse for the concert coming up that Autumn)
  • 2022/2023:  VR3 forms (members’ first arrivals in/to Inisfree:  2013 Jacqueline, 2017 Dinah, 2018 Sirena, 2022 Alison)
  • 2024: most of my favorite songs on my website now, and listed pretty much all of them; fully organized for easy referencing, practicing, covering/performing, and making improved versions of
    –concerts planned and drafted for many years to come, nearly all genres; all the ones I enjoy
    –30 July Tuesday:  music videos planned
  • 2030s:  performing for millions at a time
  • possibly 2031:  first in an SSP (Dark Fleet) spaceship/station
  • 2032/+:  first ~public (compatible Outlanders) concerts in the Outlands (human realms; the rebuilt nations, etc.)
    –After years of purging the rude evil scum from Texas and Montana, it finally feels right to perform concerts in those rebuilt lands, letting human outsiders hear us.
    Our first in New Texas was at a halftime in Kyle Field, the stadium that replaced American football with restored gladiating.
    Our first in New Montana was at Big Sky’s stage park.
    Of course, only allowing the nonreligious and antireligious admittance to the shows.
  • 2418 A.D. and on:  not just in Outlands, but secret/humanoid realms
  • 73,315 A.D. and on:  concerts on moons and other worlds
  • more always TBA

2024 August:

  • Theresa “Siryn” Cassidy will sometimes be joining our VR3 jam sessions and performances, since she has a superhuman feminine voice, too.
    *The difference between her (a Marvel character/disclosure) and Dinah Laurel “Black Canary” Lance (a DC character/disclosure) is that Dinah has a super-scream (thus is best at the highest and loudest notes during our concerts in the biggest venues; where it won’t hurt anyone’s ears/hearing) plus combatant and investigator skills, while Siryn has a variety of voice-based superpowers (not just a super-scream) which she can pair with other superhuman abilities such as SONAR (echo-location), sound-based hypnosis/seduction/trance (using her voice like how the Sirens can), sound-shielding (willing sound-waves to bend around her and those with her, deflecting incoming projectiles –or, in this/our case, helping us play our music just-right-loud without hurting our own ears/hearing during/after numerous and lengthy times up on stage), etc..  She can even use her voice/scream to fly!  (Obviously, we’ve asked her to try doing this as part of our otherworldly shows; in concert.)
  • Imagine Siryn helping sing (or being lead singer for) our songs intended to be sexually arousing; she could skillfully seduce many in the audience, thanks to that superpower subset of hers.  With Alanna joining her, she could seduce an audience of just about any size!  (always in a mutually-agreeable way, of course; we only do things that are mutually-agreeable to our compatible guests and residents)  How heavenly and fitting would it be when, during the performing of those songs, the entire audience naturally slipped into a guided mega-orgy of just the type my instincts have always preferred!

 

2529 Update:

This year, VR2 composed/covered the music for the Persephone TV show’s opening and closing credits, which WMKM Studios here in Inisfree produced –each episode, by the way, based on the footage from our black-op spanning the 2510s and 2520s in the 34 Tauri solar-system.

 

_