Electronica/Techno-ish; Lights (the band/singer’s style/sound), etc.
- “Four to the Floor (Thin White Duke Mix)” by Starsailor
- “Live Forever” by Ferry Corsten feat. Aruna
- “Happy” by MBB [No Copyright Music]
- “Cave In” by Owl City
- “Umbrella Beach” by Owl City
- “Something” by Azedia -LET IT BUILD!
- “Evil Beauty (full version)” by Blackmill
- “Live for the Night” by Krewella –sung by our Vanessa ICV
- “Squirly Girl” by David A (“she’s keepin’ nuts in the mouth”) –*and WMKM Studios used this song, sync’ing oral-creampie and gloryhole-girls porn-clips to it
- “Skin & Earth intro” by Lights –sung by our Xenia with all our girls as backups/harmonizers
- “Meteorites” by Lights –sung by our Xenia
- “Peace Sign” by Lights –sung by our Stormy ICV
- “Same Sea” by Lights –sung by our Xenia and Stormy ICVs
- “Slow Down” by Lights –sung by our Xenia, with Inna and Josie ICVs as backup vocalists
- “Where the Fence is Low” by Lights –sung by our Xenia and Nina duet/harmonizing
- “Back Again” by Flor –sung by our Graciella or Anastasia ICVs
- “Overbehind” by Flor –sung by our Charlize ICV
- “Hold On” by Flor –sung by our Josie ICV
- “Where Do You Go?” by Flor –sung by Amber ICV1, showing clips of Auz boarding an MPHA to fly home from Inisfree/work, leaving her standing there watching with love in her eyes
- “Light Up” by Mutemath, but some of the ICVs harmonize with Auz during the “for you” lyrics, and the ICVs rise up on their tiptoes like “the wave” in baseball stands, but to the beat in some sections of this song
- “On the Wing” by Owl City, keyboard/piano by Nyria
- “”Up Down Jumper” by Boris Brejcha
- “Children” by Tinlicker x Robert Miles
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Intro/Notes:
all the VRII girls are in glow-in-the-dark fishnet onesies with holes cut out for their tits and Y-s, they have neon-and-white colors ballcaps on, and their eyes’ irises change colors and flash to the beats, each color corresponding to certain notes/octaves
their hair colors change through all the brights/neons; neon pink, neon lime green, neon yellow, etc. (their hair doesn’t actually glow, but the colors they flex/set it to appears to glow under the UV lights over us during this show)
I have glow-in-the-dark board-shorts and body-paint fake-tats, and am wearing my sandals
“Thanks to Helen Timoshenko for introducing me to the electronic music festival of her country, the Ukraine, called KaZantip.”
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“Four to the Floor (Thin White Duke Mix)” by Starsailor
- 1 ICV on keyboard sfx at first; only one lit by stage spotlight from overhead, and as she plays more and more of this intro part… the other band-members start being spotlit-up
- Auz does first vocals part
- backup vocals added next; 1 or 2 ICVs
- screen starts showing trippy echo/fractal/repeat visuals during the first main-vocals sfx fade-out
- “4 to the floor” shows “on all fours” porn / sex-party clips
- band members start rising up off the stage with their respective instruments as the song really gets going, and before the “wohhh-ohhh-ohhh” (x2) part
- side and front-edge stage-lights go orange during the instrumental/beepy part after that
- drum-beat pickup/loudens, and the entire stage starts flashing dim-colors to that drum-beat –as band members keep floating around over it while still playing and head-bobbing to the beat
- lightshow effects such as expanding blur-spirals like spinning halos behind the band-member heads
- laser-lights added, but not as beams; as wide fan-like soft-white (not too bright to bother any audience eyes)
- next “wohhh-ohhh-ohhh”/s paired with hologram of those words in horizontal white expanding out from the over-stage screen until they are dissipating over the audience!
- some of the band and other ICVs go with kajirae, all in house-music colored-cellophane see-through micro-dresses, out into the crowd to help them start having more fun dancing with them –and, of course, they smile brilliantly while encouraging anyone interested to feel them up, finger them, pick them up, etc.
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“Live Forever” by Ferry Corsten feat. Aruna
- whole band visible from start
- single ICV doing lead vocals
- “hiding” = first scenes/clips; _?? coming out of ST-/AS-suit cloak-mode?
- “heat of the sun” = solariums
- “watching everyone come/cum and go”
- “so much I need to know” = scenes in LHS etc.; all our school buildings
- “lift ya up off the ground”
- “take a picture” = shows ICV eyes recording photos and videos and the same time
- “turn out the lights” = lights on stage all shut off
- “I wanna live forever” = rapidly shows all the faces of people compatible with Auz, prescreened for Inisfree, now immortalized literally
- “front and center” = ADO sex-party platform-bed ICVs y kajirae riding like the sex-champions they are
- fade-out voice-echo of “live forever” = Stasis Archives?
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“Happy” by MBB [No Copyright Music]
- “hey, hey, hey” is actually said, not just a recording/sfx of this song
- stage and screen are our cheerleader-ICVs and similarly face-painted (cheek color-stripes) kajirae
- clapping in the middle; also real (not sfx)
- clips of our sports areas, then during games, zoom-ins on the cheerleaders, etc.
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“Cave In” by Owl City
- spotlight on Auz playing and singing intro
- then spotlights of dif colors added, one by one, to the rest of the band
- “dirt bike takes its toll on me” = clips of Auz riding his own bicycles –and that dirt bike at the ‘farm’
- ICV plays the rapid keyboard sfx after that first vocalist part
- “mushroom cloud has a silver lining” = CGI showing that
- “soak up the sound”
- “try to sleep on the wet ground”
- “I’ll get 10 minutes, give or take”
- “keeps me wide awake” = shows Auz working late into some nights on his RPs (conscious co-creation), journal venting, concert ideas, etc.
- “get me out of this cavern or I’ll cave in”
- “I’ll keep my helmet on”
- “it’ll make a mess like you wouldn’t believe”
- “and I won’t even look back” = tempo increase, paired with screen showing clips of Auz getting more and more devoted and focused on making Inisfree come to life perfectly over the years
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“Umbrella Beach” by Owl City
- Auz doing lead vocals again, but singing with a more-masculine voice
- _
- “home will always be here” paired with volume increase and tempo increase, screen shows ICVs happily linking arms and skipping on-line down an Inisfree sidewalk as it does its color-changing squares/sections thing
- _
- “beach” = shows our own main and then pond(s) beaches
- “I’ll spread out my wings and fly” = first ST-suit test-flight, Inisfree Spaceways taking first test-flights, etc.
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“Something” by Azedia -LET IT BUILD!
- dim indigo light from overhead on ICV playing the first instrument
- that light slowly brightens as the notes are played gradually/steadily louder
- then a dim light added/on/over the bass-player ICV that joins in
- then 2 ICVs start doing vocals
- sfx start
- “cheer up, cheer up, put a smile on your face” = screen shows fitting clips
- “wake up”
- “rise up” –maybe minus the “we are the human race” part
- Auz does the old-sounding narrator words
- all stage lights and screen turn off except for single vocalist-ICV at that point
- then stage light added over keyboard/piano-player ICV
- then one by one the stage lights turn back on and brighten over the other band members as they resume playing their instruments/parts
- near the end, the smooth electric guitar is played by a naked ICV sitting with her legs together, and she spread them into the splits while continuing to play that guitar part
- “we are the human race” lyric always replaced with “we are the I.C.V. race” (because humans are a species, not a race; they are the human raCES, and humanoids such as ICVs are another race/type of humans)
- lights go off one by one, last few lights flickering with those sfx-flickered fade-out notes for a while, all deep/dim purple at that point
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“Evil Beauty (full version)” by Blackmill
- keyboard-playing ICV lit up first
- then singer-ICV –and as she does that voice-sfx thing, lights turn on when she sings her notes, and shut right back off as she paused between them, each note lighting up another ICV somewhere else on stage just once or twice before leaving them hidden in darkness for a while
- …
- “ooooo-OO” vocals are paired with lighting causing a spreading lit-up colored area on stage to spread out from the mouth of that singing ICV toward one of her band-mates, then the other to her other side, etc.
- _
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“Live for the Night” by Krewella –sung by our Vanessa ICV
- vocal sfx start = paired with cool unique visuals on the otherwise-dark stage-screen
- ICV starts singing
- instruments quickly join in
- “I live for the nights” = clips of our night clubs, outdoor raves, street races, etc.
- ” ’til I’m free-fallin’ ” = obviously screen clips of all the great skydiving from Cloud City II, plus at the start of our wedding ceremonies
- “universal love” = our planned Mapping Campaign, our plan for reshaping/restoring the stable Universe, etc.
- _
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“Squirly Girl” by David A (“she’s keepin’ nuts in the mouth”) -*and WMKM Studios used this song, sync’ing oral creampie and gloryhole-girls porn-clips to it
- Graciella ICV on violin for this one
- “nuts in the mouth” = many clips of the sexy females in our realm getting guys to cum in their mouths, or shoot cum into their mouths, and then they close their lips and swish, etc.
- “squirrely girl” = zooms out to show the blushing, grinning, giggling, very happy/satisfied girls
–also shows squirrel-tail butt-plug cosplay ICV/s and kajira/ae
–and they start putting used (filled) condoms in their mouths until their cheeks are puffed out - dubstep middle/pickup section of song = suddenly a circle of kneeling / kajira-sitting ICVs are on a stage-square that is slowly being tilted up so they are all vertical, easier to see by the whole audience, all of them not falling off, held firmly in place by shin straps, each of them paired up to suck off a guy whose feet or chair-legs are secured to that same moving-square keeping all of them in formation (maybe the guys are standing, or all/some sitting on chairs, being sucked off to the beat)
- final screen clip shows Faith Leon porn-star mouthful closeup before stage goes dark to reset for next song
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“Skin & Earth intro” by Lights –sung by our Xenia with all our girls as backups/harmonizers
- multiple ICVs and Auz simultaneously singing; harmonizing, with a distant-backup echo-sfx for 1 of the ICV’s voices
- loudest ICV voice matching “Lights” (that singer’s vocal signature)
- _
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“Meteorites” by Lights –sung by our Xenia
- keyboard start
- 1 ICV sings in
- clips of the meteor shower named in this song –but closeups from out in Space amongst it!
- “gonna see greater heights” = screen shows clips of our most scenic expeditions/scouting aerial footage
- “neon lights” = in our city at night
- “volcanoes in the night” = footage of ours; Dante, and Highway
- “glowin’ in the dark like meteorites”
- fade out = _?
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“Peace Sign” by Lights –sung by our Stormy ICV
- keyboard/sfx start
- Lights-voice then
- “got me on my knees beggin’ for serenity”
- “and when it’s all a blur, you are the hard line”
- “in the disorder, you are the peace sign” = shows Auz smirking and standing calm amidst war-zones and abusive places he happened upon, living by example, being noticed by the good/hotties for it
- more and more clips of Auz being the peaceful polite one, on trip after trip, mission after mission, humans never figuring out to follow his lead –at least not back then (near-Shift)
- _
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“Same Sea” by Lights –sung by our Xenia and Stormy ICVs
- “and when the currents take us out again”
- “the deepest end”
- “no matter how far we get”
- “and when the currents circle back again, and carry us with them”
- _
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“Slow Down” by Lights –sung by our Xenia, with Inna and Josie ICVs as backup vocalists
- instrumentals start, screen shows slow-mo’ waves, nice cars pulling over to enjoy the beach views from parking lots / observations spots over an Outlands/California coast cliff during pre-sunset
- 1 ICV starts singing
- “in the garden”
- “I can feel you”
- pickup/noisier start: screen shows _
- “takin’ my cheeks in the palm of your hand”
- more slow-down visuals such as cars pulling over to check out hotties strutting by, now in Inisfree; the beach strip
- final “slow down” lyric-paired visual on screen is drone POV rising up above slowing and parking nice cars at that Outlands beach-overlook spot again, more and more cars joining them, people getting out, standing, arms around each other’s backs (guys around girls, girls around both), etc.
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“Where the Fence is Low” by Lights –sung by our Xenia and Nina duet/harmonizing
- instrumental start
- 1 ICV starts talking/singing
- “one foot on the ledge”
- “I’m off on my rope here, I’m off on my own here”
- “I find my home here, I find my own here”
- backup vocals by another ICV or 2
- visuals show ICVs playfully jumping over wood fences, chain-link, etc.
- then ICVs doing trick-flips on off-road bicycles over low fences like those to barely keep in cattle
- near-end buildup-beat: shows more people noticing, starting to walk over to see if they can play, too
- loud ending: shows ICVs balancing on fenceposts while waving their arms as they sing loud, heads/chins high
- final visual: ICVs offering their hands to help others climb up and over to play with them
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“Back Again” by Flor –sung by our Graciella or Anastasia ICVs
- duet now; sung with a more masculine voice –but every other line/verse is sung by a sexy female ICV voice
- 2 ICV on keyboards; 1 for the main soft piano-like beat, the 2nd ICV for the drum-like sfx
- 1 ICV on tambourine
- “so hard to live without”: shows _?
- “I don’t want to be alone”
- “wait for me, I’ll be back again”
- “I’ll come back again”: shows Auz returning through time- and space-portals, or via his MPHAs and Inisfree Spaceways saucers
- “It hurts alone, but don’t you worry; I’m comin’ home”: shows Auz walking into his cabin after work
- fade out: paired with slow dimming to gray/off of screen visual/s
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“Overbehind” by Flor –sung by our Charlize ICV
- duet now; sung with a more masculine voice –but every other line/verse is sung by a sexy female ICV voice
- ICVs on instruments
- screen shows hotties looking over their shoulders (because of that lyric), etc.
- fade out of song, spotlights, visuals, as usual for fade-outs
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“Hold On” by Flor –sung by our Josie ICV
- duet now; sung with a more masculine voice –but every other line/verse is sung by a sexy female ICV voice
- “we can make this moment stay with us for awhile”: screen shows sfx of someone wielding a local time-bubble slow-down as they smile to their friends who appreciate them
- “in your skin and your hair, I’m tangled up”: shows scenes of Auz and Ambi snuggling up close
- “when you twist and you turn, teach me to run”: shows
- “I’d rather hold on tight”: Auz and his lovers reaching for each other’s hands, holding them, hugging tight, etc.
- “you make it right”: Ambi or her healers showing Auz how to heal more quickly and perfectly
- “every moment that we spend with our time”
- “come hell, high water”
- “you can count on it”:
- “I can count on you to show me the way”
- “you are the reason that I come alive, it lives in your eyes, you know that it’s you, the reason that I come alive, know that it’s you”: more loving scenes between Auz & Ambi
- more scenes now of drone POV zooming out and rising above convertible top-down driving away
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“Where Do You Go?” by Flor –sung by Amber ICV1, showing clips of Auz boarding an MPHA to fly home from Inisfree/work, leaving her standing there watching with love in her eyes
- duet now; sung with a more masculine voice –but every other line/verse is sung by a sexy female ICV voice
- “where do you go when you disappear?”: shows Ambi and others with sneak/portal/shadow ability/superpower doing their thing, being playful with it
- “you slip into the night”
- “extraordinarily beautiful”: shows all Auz’s crushes/hotties/loves
- “you’re a spark”: shows Noriko “Surge” and Ororo “Storm” doing their electricity/lightning thing
- after the talking-middle: next “where do you go?” also/now starts showing ICVs summoning their ST suits and cloaking
- “won’t you let me inside”: obv. shows penetration and then zoom-out for the rest of those sex/love clips
- fade out all, even the band-members fading/cloaking off stage, not just difficult to see because of spotlights dimming/turning off
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“Light Up” by Mutemath, but some of the ICVs harmonize with Auz during the “for you” lyrics, and the ICVs rise up on their tiptoes like “the wave” in baseball stands, but to the beat in some sections of this song
- duet now; sung with a more masculine voice –but every other line/verse is sung by a sexy female ICV voice
- “deserve the best”: shows sightseeing flight views over the regions of Inisfree
- “I still light up for you”: shows groups of the bioluminescent ones now allied with Inisfree; Ainur, Angels, Demons, some Elementals, Fairies, etc.
- then shows individuals who can light up; Annie “Starlight”, etc.
- fireworks of a homecoming or welcoming ceremony at/during the end
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“On the Wing” by Owl City, keyboard/piano by Nyria
- ICVs on instrumental start
- Auz starts the vocals
- “northern lights”
- “coldest nights… alone, awake, and…”: shows Auz, overhead POV, drone rising up above him while zooming out, then shows his POV of looking up, and superimposed faces of his loves/crushes/hotties
- “sing the world goodbye”
- “I am floating away”
- “lost in a silent ballet”
- “awake to take in the view”: shows opening eyes, blinking, turning to look out window, POV zooms out through window and rises up over scenic alpine realm
- “late nights, and early parades”: sitting side by side with her, heads tilted together, then family holding hands as they watch a parade
- “still photos and noisy arcades”: shows Auz’s family photo album scrapbook being opened on the coffee table by his grand couch in the living room
- “my darling, we’re both on the wing, look down and keep on singing”: shows Auz and Ambi sitting on the wing of an airplane; CGI/sfx, smiling as they childishly swing/kick their feet while the plane flies over fluffy sunset-pink clouds
- “are you there?” (many times)
- HAPPY ending –even though this song is very phase2/bittersweet/mix
–and ICVs out in the crowd/audience help make sure everyone gets to feel a loving hand holding theirs, etc. - fade out
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“Up Down Jumper” by Boris Brejcha
- _
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“Children” by Tinlicker x Robert Miles:
- _
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