Homecomings (in Inisfree, or personal; returns to this cabin/home?) footage on projector screen?

***adjust sequence? so each song flows and builds into the next perfectly

 

  1. “Coming Home (part 2)” by Skylar Grey:
    –POWERFUL/TEARFUL!
    –ICV on lead vocals
    –when the sfx join her voice after the first lyric/lines, the screen blurs on, but stays cool colors, maybe of out-of-focus rainfall/drops/impacts
    –at pickup, screen comes into focus, showing more rainfall, but on a naked young woman enjoying it, smiling up, arms rising outward, rotating where she stands in a slow-mo circle
    –“kingdom awaits, forgiven mistakes”, screen shows Inisfree coming into focus as perim-orb flown through, and perim-wall portal-ed past
  2. “Paradise City” by Guns N’ Roses:
    –Auz lead vocals
    –ICVs on backup vocals while playing instruments
    –“Take me down to the Paradise City
    Where the grass is green and the girls are pretty (take me home)
    Oh, won’t you please take me home?
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty (take me home)
    Oh, won’t you please take me home?”, screen shows Inisfree being flown toward, ofc; guests being taken to it by MPHA or approved person aircraft, kajirae-candidates being taken to it by MPHA or WS, and returning residents/citizens being taken to it via Inisfree Spaceways saucer/s
    –“Just an urchin living under the street, I’m a
    Hard case that’s tough to beat
    I’m your charity case so buy me somethin’ to eat
    I’ll pay you at another time
    Take it to the end of the line
    –“Rags and riches, or so they say, you gotta
    Keep pushing for the fortune and fame
    You know it’s, it’s all a gamble when it’s just a game
    You treat it like a capital crime
    Everybody’s doin’ their time”
    –“Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Oh, won’t you please take me home? Yeah-yeah
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Take me home”, EVERY SUCCESSIVE OF THIS VERSE/CHORUS shows the next part of the official Inisfree tour
    –“Strapped in the chair of the city’s gas chamber
    Why I’m here, I can’t quite remember
    The surgeon general says it’s hazardous to breathe
    I’d have another cigarette but I can’t see
    Tell me, who you’re gonna believe?”, change cigarette-lyric
    –“Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Take me home, yeah-yeah
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Oh, won’t you please take me home?”
    –“Yeah
    So far away
    So far away
    So far away
    So far away”
    –“Captain America’s been torn apart, now
    He’s a court jester with a broken heart
    He said, “Turn me around and take me back to the start”
    I must be losin’ my mind, “Are you blind?”
    “I’ve seen it all a million times”
    –“Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Take me home, yeah-yeah
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Oh, won’t you please take me home?”
    –“Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Take me home, yeah-yeah
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Oh, won’t you please take me home?
    Home”
    –“I wanna go, I wanna know
    Oh, won’t you please take me home?
    I wanna see, how good it can be
    Oh, won’t you please take me home?
    –“Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Take me home (oh, won’t you please take me home?)
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Oh, won’t you please take me home?
    –“Take me down (oh yeah), spin me ’round
    Oh, won’t you please take me home?
    I wanna see, how good it can be
    Oh, won’t you please take me home?
    –“I wanna see, how good it can be
    Oh, oh, take me home
    Take me down to the Paradise City
    Where the grass is green and the girls are pretty
    Oh, won’t you please take me home? (I want you, I want you take me home)
    I wanna go, I wanna know
    Oh, won’t you please take me home?
    Baby, yeah”, fade out –including overhead lights
  3. “Brand New Day” by Fireflight:
    –ICV on lead vocals
    –shows waking up in Inisfree, naked young woman smiles, realizing where she is, sits up, stretches happily, chin up, looks out the window, the view of the gorgeous Inisfree terrain/landscape comes into focus, the sunlight shining over the perim’wall
    –“headed for the door”
    –“goin’ home” shows her walking naked outside, house to house, greeting lovers along her way, and being greeted at every door, all doors opening for her, thanks to the ICVs on staff in every residence in this realm
    –“when I hear your voice, it fades away”, shows Auz smiling fatherly as he speaks, his smooth rumble implied/known
    –“the pain goes away”, shows his loved ones’ faces starting to ‘light up’ with real smiles
    –soft/whisper-like “and I can hear you say…” shows Auz’s face coming into focus, from her prone-on-back-in-bed POV looking up at him as she wakes up / ‘comes to’, he saying softly to her, “It’s a brand new day.” (mouthed out),
    then she sits up again, naked like always in his nudist realm, and hugs him warmly before kissing him
    –end of song quiets, screen shows her starting to kiss his lips over and over before they hold hands and head out together this time
  4. “Halcyon + On + On” by Orbital:
    –instrumental smooth flowy opening, screen slowly dims to normal-brightness, not yet in focus, showing the Inisfree-flag banner/streamer atop one of the ICGM turret-roofs, fluttering horizontally in the Inisfree breeze, bright Antarctic sunlight behind it, coming in and out of view behind the fabric as it flutters/moves
    –ICV on lead vocals, screen shows her singing as she comes into focus, riding a cock in TNA, slowly; to this song’s pace
    –ICVs on backup vocals
    –pickup/louder/”ee-ee!” shows a Welcoming Ceremony starting; residents (some of each of the races compatible with us; mermaids, etc.) gathering to welcome the new guest/s
    –then shows city-dance footage/clips
    –middle of song:  shows other holidays/festivals of our realm
    –near/into end of song:  shows a Homecoming (or do this for next song, bc it is titled “Come Home”)
    –closing fade out from aerial/drone view out over main lake, looking at naked couples on the yoga balancing platforms
  5. “Come Home (Michael Cassette Remix)” by Above & Beyond pres. OceanLab:
    Sirena sometimes joins us to help sing OceanLab songs
    –sfx y drum instrumental intro
    –“you know I didn’t mean to say the things I said”
    –“don’t leave me here with all these thoughts inside my head”
  6. “Million Voices” by Otto Knows:
    –screen shows ICVs deployed, opening their mouths, rapid sequence of footage of their voices seducing/soothing/restoring hope for all who hear them, like the positive version of a Siren’s call/song
  7. “My House” by Flo Rida:
    –first one in this concert with Auz on lead vocals
    –“open up the champagne… pop!” shows a bottle being opened by him or an ICV in the sideless maid uniform of ICGM
    –“tell me where you’ve been”, shows people in his main dining room chatting
    –siren soft bg sfx, screen shows our sexily-uniformed police-girls sexily stepping up out of the opening doors/top of one of our/their police Tumblers, its rainbow-colors lights-bar on, their eyes-irises bright and shifting between all six of those same colors, their hair colored to match their soft-blue uniforms, their job being to help direct traffic approaching or exiting the big driveway gate/s (since once within the ICGM perim‘, it is my Secret Service MFs in diaphanous-black sash-uniforms who direct/assist everyone), etc.
    –“welcome to myyyy houuuuse” zooms out from his front double-door, showing the flanking van-sized lion-statues, then the rest of the white-and-gold GAH-section under the porte-cochere, the rest of his lawn, rising up like a drone, until whole front of house comes into view, then the sloped backyard to the left while the cliff down to the main lake show to the right, etc.
    –“my house is your house if you throwin’ it back” shows the guest suites full of his happy family members
    –“show me what you do now”, shows Playboy Bunny uniformed ICVs sucking dick through club Cush (upper basement) glory-holes, riding cocks on the colored-glass-walls bedrooms around the main open middle section of that club/basement, etc.
    –“we don’t have to go out”, shows theaters (all 5)
    –finally shows roof pool party with Auz’s arms out, mouthing the final words of the song, “welcome to my house, it’s My house”
    –fade out shows, like this concert’s title, the lights left on, viewed from nightfall outside, the perimeter/back/side-yards‘ trail lined with soothingly-dim skyblue-tint ground-lanterns
  8. “Pretty Girls (Benny Benassi Remix)” by Wale:
    –Project X OST
    –ICVs on opening vocals, Auz joins for talking-lyrics after intro
    –all 1,000 form-sakes, plus all other hotties featured on the website?, sequenced to each get <1sec of screen-time during this 251-second song (…maybe just pick the most-distinct images, and always full-frontal standing nudity)
    …OR show them in GROUPS, each group dancing naked together, doing flirty fun sexy poses together during these clips, thus able to give each of them more than 1sec on the screen before this song ends
    –change “do they smoke” lyric
    –change “can we go” to “D-T-F”
    –“girls are everywhere”
    –“what’s you sippin’ on?” shows girls drinking cum from martini glasses, used condoms with curly straws, etc.
    –“listen to what I’m-a need from ya”
    –“pretty girls be proud like me”, when the crowd-vocals start (girls echoing the lead singer words/lines), it shows the girls bending over to stick bare ass/apex/pussy out, shaking ass to show it all off, very proud, etc.
    –final scene shows flying out on a Voyage of Acquisition to liberate/acquire more, perhaps over Ibiza or Miami Beach during packed-time, etc.
  9. “I Feel So Alive” by Capital Kings:
    –Auz lead vocals
    –“I’ve seen life through the eyes of a different soulI left my past so my future would be under controlNow I’ got nothin’ standin’ in my way”, shows Auz and Djinnifer developing the design for the ICV eyes, then by-mind, then him trying out their shared-consciousness, perceiving through Nyria before the other ICVs were mass-printed–“I gave it all awayI gave it all awayWhoa, I gave it allYou got me livin’ how I’ve wanted all alongNow all my tears are dried awayYou got me livin’ how I’ve wanted all along”
    –“cause my heart has been revived”
    –“it’s like a whole new ride” shows ICVs riding dick, ofc
    –end:  _
  10. “Symphony” by CloudKid (or is it by Clean Bandit?):
    –sung by Nyria (who matches the vocalist’s vocal signature perfectly while swaying side to side, holding the mic passionately!)
    –“I just wanna be part of your symphony”, shows naked orchestra playing in our Performing Arts Center
    –“will you hold me tight and not let go” shows sexy bondage training in TNA, then play in our shibuyas
    –“like a love-song on the ra-di-o” shows WMKM Studios, then people head-bobbin’ as they enjoy listening to the radio in their convertibles cruising the GAH
  11. “Lied der Zeit” by Oonagh:  (sure, it was in our all-German themed concert, but it works here, too!)
    –ICVs on vocals, all in see-through /diaphanous dresses of Spring pastel colors, stage-lights behind them, showing their thigh-gaps perfectly
    –Auz on didgeridoo
    –and at the playing of this one, bashful little Adeline finally let her body dance wild and free,
    and Auz and her best Inisfreean friends joined in, holding her hands as they danced and smiled with her, so happy and proud of her for embracing this beautiful part of her new post-Shift being
    –screen overhead throughout song keeps showing people dancing in the wild; on Inisfree’s trails, at its glamp-sites, etc., including everyone with horns or wings or tails chilling with everyone else, no one afraid to be their humanoid selves in our all-compatible-people realm
    –end shows the lights of all our neighborhoods on at night (from the POV of the perim-wall top, inside edge, halfway between the Great Chinese Gate and the CIV Aero corner, facing the central mountain, Cloud City II barely fully in view at the top), the local aurora waving miles overhead
  12. “Heaven On My Mind” by Becky Hill, Sigala:
    — catchy for altar girls, angels allure, angels dir, heaven
    –super fun loud happy grand finale song